by Troy Brownfield
Last time, we tracked the original Manhunters up to the point of
The Power Company. Before we get into that segment, let’s skip back a bit and recount the genesis of the robot Manhunters that ended up being responsible for the events of
Millennium.
The robot versions were created by the Guardians of the Universe in the first attempt at a universal peacekeeping force. Like the later, greener space cops of the Guardians, the androids had their own oath. It was simply, “No evil escapes the Manhunters.” Unfortunately, the Manhunters broke away from the Guardians and fought a war that lasted a thousand years before being bested. The race eventually became bounty hunters, and preserved the waning blue tint of their artificial skin with their masks. And their motto? It became “No MAN escapes the Manhunters.” Clever, if not overly obvious.
Here, the history of the human Manhunter characters begins to retroactively crossover. We are told that the Manhunters discovered Earth and founded an order that eventually recruited Dan Richards and Paul Kirk. One tale relates that the order wished to recruit the infant Kal-El, but were prevented from doing so by the Green Lantern Corps.

The robots clashed with the Justice League of America for the first time in
Justice League of America #140 (from the original run). Their plot to take out Hal Jordan by framing him for the destruction of an inhabited world (oh, irony) was thwarted, but they did manage to cause the JLA some problems with their agent, Mark Shaw. Shaw acted as their pawn as both the Privateer and Star Tsar (
JLA #149), but was defeated and sent to jail. He eventually overcame his brainwashing in time to join with the Suicide Squad during Millennium.
For those who weren’t reading in the late ‘80s, Millennium was DC’s crossover event of 1987. Framed within a weekly, eight-issue mini-series and supported by numerous linking issues, the series dealt with two major plot points: one was the arrival of a Guardian and Zamaron (the Guardians female counterparts) who planned to kickstart Earth’s march toward a race of immortals by gathering a group of “chosen” that would become the “New Guardians”. The other was that the Manhunters, sensing that moment was imminent, finally activated their sleeper agents, many of whom had prior relationships with Earth’s heroes.

The ensuing battles claimed the lives of two of the “chosen”, Metamorpho (inasmuch as he ever stays dead), and others. The Justice League International was ambushed by new member Rocket Red #7, a Manhunter android who was later replaced by a more beloved Rocket Red. Eventually, the heroes would take the battle to outer space and inside the Earth to stomp the remaining Manhunters. Though they’ve occasionally returned in the pages of
Green Lantern, the larger Manhunter threat was wiped out. For his part, Mark Shaw survived that mission with the Suicide Squad and went on to his own career as a Manhunter as detailed in part one.

By 2002, it was time for another Manhunter. Debuting with the conflux of books that heralded the arrival of
The Power Company, Kirk DePaul was another clone of Paul Kirk. His outfit bore a more monochromatic design variation of the famous “billowy sleeves” look. Even though Power Company was indeed a super-team run as a business, DePaul was more mercenary than the others. He butted heads with teammates over intent and direction. That character was little-seen outside of the
The Power Company title itself, which folded after 18 issues.
All of this brings us to last year, when DC decided to give Manhunter another go, with a spin. Of all of DCs past heroic Manhunters, this is the first female to bear the title. We asked writer Marc Andreyko about the creation of Kate Spencer. He said, “After my
THUNDER Agents project imploded, Dan DiDio called me and said DC was interested in doing a new, female Manhunter. I was dubious, but after thinking it over for a few days, Kate Spencer was born!”

Fans have gravitated to Kate Spencer for her no-nonsense approach to justice, and for the fact that she’s not a perfect character. A divorced mom who struggles with parenting, a smoking habit, and her job in the District Attorney’s office, Spencer manages to take out some of her frustrations on the criminal community. As Andreyko explains, “My goals were to create a strong, and flawed, female character, explore the gray areas of vigilantism and if one has a responsibility to “put down” unsavable bad guys, and best of all, play in the DCU.”
In terms of the reaction that he’s seen as he chases his goals, Andreyko seems pleased. He says, “To me, the personal details are what make her interesting. For the most part, scenes of super folk beating the tar out of each other write themselves. Creating a cast of characters whose personal lives interest the reader as much as their superheroic exploits in the tough, but fun, part.”
He goes on to note that he has “been gratified by the response. People ask me if Kate has kicked smoking for good, if she and her ex are getting back together, how do she and [DEO Agent Cameron] Chase know each other . . . In fact, some of the best-received issues so far don’t have Kate in costume at all.”
Overall, the series so far has served to define Kate as a character. The first few issues introduced us to her work and costumed identities, her parenting and shared custody dilemmas regarding her small son, and the fact that she’s not always the most together human being. We’ve also seen her exact very rough justice, like with the execution of Copperhead at the close of issue 1. Kate’s also managed to employ Dylan, a former gadgeteer for super-villains. Dylan’s become a bit of a fan-favorite, between his geek-power wardrobe and droll observations.

And though she hadn’t been in the DCU for long when it kicked off, Kate Spencer found herself involved in the events surrounding
Identity Crisis in both of her guises. Tasked to prosecute the Shadow-Thief, who had killed Firestorm, Manhunter found herself fighting in her own courtroom against a team of villains sent by Luthor’s Society to extricate the crazed killer. The ensuing battle saw Kate kill longtime villain Monocle.
These events led up to the present “Manhunted” storyline, which has revisited the DC Manhunter legacy in a big, violent way. In issue #13, Dylan and Cameron Chase discovered that
all of DC’s Manhunters were a little more related than they thought. As to this issue, Andreyko explains, “I actually wasn’t going to touch the Manhunter history so early in the book’s run, but the story evolved and fans kept asking, so I bumped it up in my mind. The end result is one I’m very happy with (even tho’ some old school fans are nervous. Just wait, I keep telling ‘em. It ain’t over yet!)”
At this point, it looks as if much of the Manhunter history that we’ve seen may actually be concealing buried truths. We’ve also seen what appears to be the systematic elimination of those who used to bear the name. But how much is true, and is, for example, Mark Shaw again a villain, or a victim? The arrival of an OMAC at the outro of the most recent issue indicates that, indeed, larger issues are in play.
When considering the pending
Infinite Crisis and One Year Gap, Andreyko doesn’t seem to mind involving his book. “So far,” he says, “I’m pretty happy. The “One Year Later” aspect actually fits in with something that was tentatively planned during the inception of Manhunter. The plus side is it ties into the biggest event in DC in years.”
With increasing, positive word-of-mouth and an impending trade paperback release (a collection of the first few issues,
Manhunter: Street Justice hits the first week of December), it’s possible that this might be the Manhunter that sticks around a while. Kate Spencer isn’t like any of the other women in the DCU. While it’s arguable that some have careers, she really gets up and goes to work every day. She’s a mother, but not a perfect one. She’s a fighter, but not the best. She makes use of intelligence, gadgets, and mental toughness to overcome adversity, even if she doesn’t always have the ability to defeat the demons of her personal life.
DC has given this book a chance to grow in a marketplace that has a tendency to devour slower starters. In the
Best Shots column, I’ve reiterated the strengths of the book, and numerous fans have backed in up. It’s obvious that with DC, Manhunters will never go away, but you can rest assured that the present
Manhunter is definitely worth tracking down.
Troy Brownfield writes a bunch of stuff for Newsarama. He’d like to thank Manhunter writer Marc Andreyko for taking the time to answer a few questions about his title.