by Benjamin Ong Pang Kean
John Constantine is getting a new voice.
At the WizardWorld LA convention in March, the Glasgow-based Scottish crime novelist was
announced as the next writer to take on DC/Vertigo’s long-running series,
Hellblazer beginning with issue #216 in January of 2006. Mina takes over from current writer Mike Carey, who moves on after more than 3 years and 41 issues later.
As a character, John Constantine first appeared in the pages of
Saga of the Swamp Thing in 1985. Three years later, the first issue of his own comic,
Hellblazer hit the stands. The comic series celebrated its 200th issue in September of last year, courtesy of Carey and artists Steve Dillon, Marcelo Frusin and Leonardo Manco and moviegoers got their own taste of Hellblazer with
Constantine earlier this year by director Francis Lawrence and starring Keanu Reeves as the title character.
As mentioned, Mina joins other a large group of writers who’ve worked on and developed the Constantine character in the comics, such as the aforementioned Alan Moore and Mike Carey, Jamie Delano, Grant Morrison, Neil Gaiman, Garth Ennis, John Smith, Eddie Campbell, Paul Jenkins, Warren Ellis, Darko Macan, Brian Azzarello, Andy Diggle (in the
Lady Constantine limited series), Peter Hogan (
Love Street), John Ney Reiber (
The Trenchcoat Brigade), Dave Gibbons (short story in
Winter’s Edge #3) and Matt Johnson (
Papa Midnite).
We sat down with the incoming writer for a chat about being the new woman in John Constantine’s life.
Newsarama: You’re an award-winning crime novelist, having garnered the Crime Writers’ Association John Creasey Memorial Dagger for
Garnethill in 1998. So, how did you come to work on DC/Vertigo’s
Hellblazer?
Denise Mina: Jon Vankin, the editor of the series, wrote an email to my website asking if I would consider writing for
Hellblazer. I wrote back immediately and told him I’d eat my own guts to write for
Hellblazer. Yes, my apparent reticence was just a bid to get a lot of money for the scripts. I love comics.
NRAMA: Your novels to date have been gritty and realistic in their tone, centering on some of the absolute worst humanity can offer. How different is it writing the adventures of John Constantine?
DM: Well, Constantine is such a definite character, he’s kind of hard to warp around your own obsessions, which is a pleasant holiday. JC’s the ultimate noir hero: a heavy smoking, broken-hearted idealist.
NRAMA: Since his introduction by Alan Moore in the pages of
Saga of the Swamp Thing in 1985, many prominent writers have had their spin on the character and the world that he lives in. What does it feel like to be the first female writer to write
Hellblazer?
DM: Yeah, thanks for scaring the crap out of me. Luckily I have a terrible memory for names so although I’ve read all the work those guys have done on
Hellblazer as well as many other comics, I’ve never attributed the work to individuals. In short, I’m too stupid to be appropriately intimidated.
As for being a woman, well, I don’t know what difference it makes because I’ve never been a man. The female characters may have fewer nut-smuggling zeppelins in their jumpers but apart from that… JC won’t be talking about his feelings or cooking. Not very much anyway.
NRAMA: You mentioned in an interview with
Chapters that you’re “reading every
Hellblazer comic ever published” in preparation for your work on the comic. Delano established the character of John Constantine in the first 24 issues of his initial run. Ennis’ stories, on the other hand, were more of the “in your face” type of horror stories. Jenkins brought a lot of British mythologies into the series. Azzarello’s stories were more reality based, more like noir crime comic with an added grittiness to them. Fans seemed to be divided over Carey’s run, though his
All His Engines OGN won critical acclaim. What’re some of the key elements or events from the earlier runs that you’ve found intriguing and important to the continuing story of the life of John Constantine?
DM: For me, the key elements of JC’s character are that he isn’t; as much of a bastard as he thinks and is connected to humanity. His friendship with Chas keeps him going and I think he’s aware of that. Dolly and Chas are very important in the story but I think my real aim is to bring a more reality based story line back, simply because I can’t possibly compete with Carey for original fantasy story lines. I’m a big Ennis fan and hope to bring a bit of a Preacher road-movie feel to the story arc.
NRAMA: At the Vertigo panel in WizardWorld LA, Vankin said that you will not shy away from the supernatural elements of the series and that your first story is in fact heavy in the supernatural department. You’ve also mentioned in an interview with the
Evening Times that “It's set in Park Circus and it's about some characters who live in Glasgow and who entice detective John Constantine up here. It's such an interesting thing to do and it's so different to writing emotive stories." Care to elaborate more on the story that you’re writing? How do you see John Constantine as a character?
DM: JC is a bit of broken man at the start of my run, but that’s all Carey’s doing so I can’t take any credit for that. JC comes to Glasgow with an amnesiac friend but when they get into the friend’s house they find a lot of scary stuff there that can’t be explained. It soon becomes clear that the friend is in a lot of danger and JC has to try and find out what he’s been up to. See? This is a
blurb, the para you put on a book jacket which wriggles and giggles and tries not to give anything away. Obtuse enough for you? I hope I have told you something there.
NRAMA: In terms of supporting characters, will you be bringing back the old ones? Introducing new ones at the same time?
DM: There’s a load of new characters for the first few, all of whom are named after really close friends of mine who are major, major comic fans. One of them was nagging me to read
Hellblazer for about ten yeas before I did. He kept saying I’d love it and he was right. Later in the story arc, JC has to call upon some old friends. Reading through the Hellblazer Bible tells you how dangerous it is to be friends with him though. Every time I found a good character I thought I could use, I realized they’d been killed.
NRAMA: Your first issue is scheduled for January 2006’s
Hellblazer #216, right?
DM: Yeah. Eeeep.
NRAMA: How long are you planning on staying for? Almost every writer that’s come before stayed for 40 issues (with the exception of Alan Moore and Warren Ellis) and Mike Carey is leaving the title after his 41st issue…
DM: Well, I was going to do 7 issues but then agreed to 13 so we’ll see how it goes.
NRAMA: It’s been mentioned that your run will feature guest artists, though Leonardo Manco is still the regular artist, right? Is cover artist Tim Bradstreet drawing a story or two as well?
DM: Yeah, there’s a special issue before the arc starts proper, a stand alone and I think they like to use different artists for those. I’m pretty sure it’s Manco for the run, I’m not certain about Bradstreet.
NRAMA: What’s next for you as a comic book writer? How about novels?
DM: It’s so different from writing prose, I can actually feel bits of my brain coming alive as I try to imagine all these still images. I’d love to do more but I’m aware that my strength at the moment is novelty: I can’t compete with those guys who have been working in this form for years and years but I’d definitely like to do more, perhaps an original character that I’ve made up myself. Even if I never do it again, I’ve loved it.