
Love him or hate him, comics' rumor monger/maven, and
Lying in the Gutters writer Rich Johnston is getting just a little more attention come May when his three-issue
Holed Up miniseries from Avatar hits.
For those who may think
Holed is Johnston’s first comics foray, well, you’re wrong. For those who missed them when they came out, or for those Johnston hasn’t told personally, he’s written/drawn a fairly wide variety of small press titles such as:
Dirtbag, X-Flies Special, X-Flies Conspiracy and
X-Flies Bug Hunt from Twist And Shout Comics;
KKND: The Comic from Electronic Arts; as well as his own 24 hour comic which he wrote and drew last year for
Ninth Art.
“Odds and sods,” as Johnston describes them.
There’s a good reason why most know Johnston for his rumormogering instead of his comics.
Holed Up is Johnston’s return to comics after a sabbatical of sorts, caused by any number of reasons.
The top reason why Johnston has been writing about comics rather than comics themselves? “The fall of the direct market, where any old tat could get published, including mine. Then there's my full time job,” Johnston explained. “I'm a senior advertising copywriter for a company in Soho, London.
”There have been a few dilly dallies in between, though. I was invited to pitch for
Marville, but the book was cancelled. Someone approached me about translating French comics into English, but my French is awful. But I also write for TV, radio and the London stage - indeed,
Holed Up originated with a script for the Sitcom Trials stage show.”
The miniseries title also belies the name of the family in Johnston’s tale: “It’s about the Holed Family, an American family holed up against the encroaching pinko-federalist new world order government intent on taking away their guns, their independence and their right to treat anyone in the way they see fit.”
While admitting that it’s a good hook, Johnston denied that everyone in the UK sees Americans as wigged-out, paranoid gun nuts – and the portrayal as American as such wasn’t his primary goal with the story, although his vantage point did play a role.
“It's a look at a genre that may be only visible from outside, that of the American Family,” Johnston said. “Whether comedy, horror, drama or thriller, there's something very infectious about the functional or dysfunctional form therein. The way ties bind no matter what, there's something innate about the way its expressed in American fiction.
Holed Up is another look at that aspect, mixed with international politics, isolationism, fear of political structure. And, yes, a bunch of guns as well.”
On the continuum Johnston mentioned though, the Holed are functional…kinda. “Bob Holed, a hardware store manager with a temper, his wife Sally, very sweet natured with a bigger temper and a practical eye to be feminine and camouflaged, teenage daughter Deborah, who's rebelled as a goth, the younger twins Ronni and Nancy who will end up
as jock and cheerleader, or maybe just blow away everyone in their kindergarten. Oh, and there's the Grandmother, a Nazi war criminal who underwent a very successful sex change.
”Your average American family, then.”
Coming from Avatar, Johnston’s well aware of the reputation the publisher has for publishing material that’s not very…kind of…well, two words:
The Unfunnies.
“Everyone's going to find something offensive,” Johnston said. “For me, it's Archie and Jughead. For Capalert, it's Spider-Man, subverting God's plan for humanity. And for everyone. it's
Unfunnies. But I don't find
Holed Up that offensive... although by issue three when they mortar bomb Mecca, it might get a bit much for some people.
“Anything someone might find offensive is there to make point, add character, enhance the flavor, contribute to the reading experience. Yes, even the Klu Klux Klan dressing gowns.”
Holed Up is drawn by Gonzalo Martinez, a find of publisher William Christensen. “When Avatar accepted the script for the first issue, we went through a number of artists together,” Johnston said. “As William will attest, I was a little bit picky and went through quite a few going ‘No, no, no, no... wait a minute... no...’ Until I saw Gonzalo's.
“He's a Chilean artist whose work hasn't been published in the USA before, but the portfolio I saw showed a vast range, cartoony but a real understanding of how 2D characters can occupy space, such as Frank Quitely, Mike Mignola or Phil Winslade show. And he's not afraid to show some terrible, terrible things, in a very cartoon and quirky form.”
As for Johnston’s critics (there are a few) who would claim that the sole purpose of writing
Lying in the Gutters and its predecessors over the years has been simply this – to get into the comics creators’ club, the creator has two words. One rhymes with truck.
The other is “’em.”

“I've done comics before, but I've also done TV, radio, the stage, short films, newspaper articles, all sorts of media of expression,” Johnston said. “Comics is one I have a special fondness of, and while I don't think I'll ever make a career of it - after all, it would have to pay better than advertising, it's fun to work in.
”As to the column, I've said that any publisher I work for would have the right to ask for the column to be suspended. William Christensen seems to insist it continues! After all, I think that's partly the reason he agreed to publish
Holed Up, because of the publicity my name might attract.
“But the column was never a way in to doing comics. I'd have been better off pitching something every week for ten years instead. If an infinite number of monkeys could knock off
The Tempest, I bet I could have sent in a passable
X-Men Unlimited pitch in that time. No, the column was intended to be something I felt was missing, and that I wanted to read, so I wrote it. And before I could stop it, some fool decided to pay me weekly to write it. And I find it very hard to turn money down.
As for work after
Holed Up, Johnston is taking the approach that for him, makes the most sense. More creator-owned, and little, if any, work for hire.
“I'm not really interested in WFH,” Johnston said. “And I doubt anyone with WFH would be interested in me. I've got several ideas for WFH concepts that have percolated around my head for a while that might see publication if the climate was right, but I don't think that's likely right now. Creator owned, well yes, I have several "projects" in my head that could suit portrayal in comics form. Suburban Anarchist, which just stormed a recent Sitcom Trials stage outing seems a natural, as does Perfect Ten, shown on British television last year. Then there's The Piper, Maiden Japan, Political Creatures, London's Crawling... I mean, I could go on. Maybe, maybe not. Let's see how
Holed Up does.”
But – as far as the future is concerned, self-pubbling is probably out. “I think I'm done with self publishing for now, especially drawing. I was always a better writer than an artist, the reason I became a copywriter rather than an art director in advertising. So if anyone's interested, my email, street address and phone number are on the bottom of every
Lying in the Guttersthat I write.
“I guess this will be an experiment to see how much of my column audience I can transfer to actual paying customers. To see if the industry will support someone who's basically been a parasite on their back for ten years. It's also a challenge to myself, to see if I've got what it takes. When I was a British self publisher, I was up against
Brit Force, Kane, Sleaze Castle, Six Degrees and
Memory Man. I probably came second to last. At Avatar, I'm up against Alan Moore, Garth Ennis, Frank Miller, Mark Millar, Steven Grant and more. I'm a better writer now... but just how better?”