by Benjamin Ong Pang Kean
Imagine a world where eight million robots walk amongst us. A world where, instead of humans – or mutants, robots are the ruling species. The only difference is, this isn’t science fiction. This is not a post-apocalyptic future a la
Terminator. This is New York. But this isn’t the NYC that you know. These robots are in agony, ecstasy and everything in-between, searching for love, sex or just enough spare change to get them through the day.
Welcome to Miles Gunter, Ivan Brandon and Andy MacDonald’s
NYC Mech, an ongoing series from Image Comics set to debut in April.
“
NYC Mech's an ongoing look at everything that happens in New York City, with everything you'd expect and a lot you wouldn't. And robots,” co-creator Ivan Brandon told Newsarama.
“Andy MacDonald and I have been working together on assorted gigs for a few years, and Miles Gunter and I both wanted to create the perfect work for what he does. The level of detail he puts into every shot is unparalleled in the medium. The dynamics and personality are on par with the old masters but decidedly new,” he continued.

“We came up with the idea for Andy,” co-writer Miles (
Bastard Samurai) Gunter added. “I’d seen his work and the thing that grabbed my eye were these damn cool robots. I had the idea one night while vacuuming, called Ivan at the bar and we started putting it together.”
Speaking of robots, incidentally, Brandon and Gunter have previously worked on the
Terminator comics, with the latter on
Terminator 3: Before the Rise (the comic book prequel to last summer’s
T3: Rise of the Machines movie) and the former on
Terminator 3: Eyes of the Rise.
However, the inspiration for
NYC Mech, according to the 29-year-old writer, was from a hit action/comedy anime from Gainax and Hideaki Anno (
Neon Genesis Evangelion), and as mentioned, it’s set in present day New York, instead of the city of Mabase in the anime. “In terms of form, for me the main inspiration is
FLCL- a Japanese cartoon made by Gainax that has this insane spastic dynamicism that just blew my mind. For my part, this book at least the first two issues, is a love letter to Gainax and director Hideaki Anno.”
“That, and I think there's a really strong synergy to the book that comes from the three of us bringing our different experiences and views,” artist Andy MacDonald said. “We're all really excited about putting together a book that we haven't seen before.”
It also stemmed from a need to do something for New York, according to Gunter. “To honor its beauty. One of my biggest pet peeves is when you have New York in comics and it’s obvious the writer doesn’t know the city. They’ll have a scene that takes place in an alley, but there’s virtually no alleys in Manhattan! New York is more than just having skyscrapers in the background. It’s a way of life completely unlike the rest of America.”

The ongoing series status presents to the creators unlimited possibilities in terms of characters, themes and plotlines. “There are a lot of windows in NYC and a lot of them are worth looking into. We've promised Image an ongoing series, and there's no end in sight,” Brandon said.
“We created the book specifically for Image,” Gunter added. “It’s important that we have the freedom to do any kind of story we want, and Image is the only place where we can do that. They immediately understood what we are doing and fell in love with the project. They’ve been fully supportive of our vision.”
“[Image’s Director of Marketing] Eric Stephenson had a big smile on his face and [Image Publisher] Jim Valentino told us to get to work,” Brandon laughed. “It's great to work with a publisher who's as into the book as we are.”
“The great thing about this project is that it can encompass any genre: crime, romance, comedy, drama, horror - any kind of story. There will be a large rotating cast that will change with each story. Everything from skyscraper window washers to trust fund psychos to 11 year-old girls going to private school,” Gunther said.
“We dip in and out of a lot of different environments that interlace to make a bigger picture,” Brandon added. “Depending on where you are, the people you see will vary.

“To whatever degree, what we start off with revolves around Nika, the gal on Dave Johnson's cover. Nika's the robot girl you want; she carries a gun and a lot of control. She speaks softly but her actions are incredibly loud.”
“Comics have always been about progress, and this is not at all the same old thing. Andy evolves constantly from issue to issue, it's stunning to me to see the changes in perspective and the upgrades his eyes have made along the way. The approach on every arc is different and equally electric, it's amazing to me to see what he's absorbed into his technique from day to day.
“And the stories are full of real situations with unexpected consequences, each one bigger than the last.”

There’s nothing like good communication between the creative team to make this project worthwhile, even if personalities do not always gel, according to the writers. “Miles and I have a different approach to things and that's a huge help to the level of what we're trying to achieve,” Brandon said. “We're sort of a good cop/bad cop combination to the work and we get some really interesting and new stuff out of collaboration. Andy and I see each other pretty often and with a good glass of scotch and some paper we can really see eye to eye. All of us want to make progressive stories that can be read by anyone in the world.”
“He smokes cigarettes. I do yoga. But we have just the right amount of commonality to know how to click and bring different things to the table,” Gunter added. “With the art, Andy does thumbs and we iron out any storytelling concerns, but he tends to get it right 95% of the time.”
“Along with proper diet and exercise, this comic may help you live longer,” MacDonald concluded.
NYC Mech #1 (featuring a cover by
100 Bullets' Dave Johnson) is available for order now in the February issue of Previews and will go on sale April 14.
For a five page preview of
NYC Mech, click
here.