
Worlds joined in a manner, for
NYX readers who also watch the animated
X-Men: Evolution. In issue #3 of the series, X-23, a character from the television series showed up in the comics series, but she was a little…different.
In
X-Men: Evolution, X-23 was a young teenage girl, cloned from Wolverine, who appeared, stalked Wolverine (whom she blamed for the hardships in her life), and came to some sort of resolution, or at least understanding about her lot in life.
In
NYX, Joe Quesada’s street level story about down and out mutant teens in NYC, X-23 is…well, as the cover to issue #3 shows, she likes to wait on corners for rides from men she doesn’t know.
Yeah.
The character herself was created by
X-Men: Evolution writer Craig Kyle, who was credited in
NYX #3. Officially, Kyle is "Director of Development, Television Programming. “I oversee all of Marvel's Live-Action and Animated TV series, working directly under Avi Arad,” Kyle explained. “Recently, I was fortunate enough to co-write four episodes of
X-Men: Evolution with a very talented writer named Chris Yost.”
Kyle explained a little more about X-23’s role in
Evolution continuity and her storyline. “Keep in mind this is the Evolution version, and that there are many differences in the comic incarnation of her character. That said, X-23 is a clone of Weapon X – Wolverine - created by Hydra. X-23 was designed to be Hydra's ultimate assassin. During a mission at S.H.I.E.L.D., X-23 comes across files on the Xavier Institute and locates information on Wolverine. After finding Logan's file, she trashes the computers and begins hunting her genetic donor.”
And by the by, she has two claws on each hand, rather than three.

So how does a character make the leap from all-ages animated series to a PSR+ comic?
”We're relying on my memory here so let me see how much of this I can get straight,” Quesada started. “Going back over two years ago, I was visiting our West Coast studios and got to meet Craig Kyle - a more enthusiastic guy you'll never meet. I was taken by his love and passion for comics. During the week long stay he and I got to talking about characters and comics, he had mentioned that someday he'd like to write a comic, it was a long time dream for him. That's about the same time that he started telling me about this cool character he had created called X-23.
“I believe we were in the drive thru of In n' Out burger at the time when he gave me the pitch, I just loved the idea of the character but even more so I loved the origin and the reason for the character. If I'm remembering it all correctly we were discussing bringing her into the comic continuity because at the time Craig wasn't even sure if she'd make the show or what the future of the show even was. It wasn't until I started to develop the characters for
NYX that it became pretty clear to me that she would be a great fit for the group, especially taking in her origin. Also, when I refer to what's interesting about her origin I'm really alluding to everything other than her obvious Wolverine connection. I mean that's cool and all but it's her back story after that that is just intriguing as all hell.”
Kyle: “Joe was very excited about X-23 when I pitched her to him over two years ago. And let me just say having Joe Quesada excited about your idea, is really frickin’ cool. Joe told me she was going to be in
NYX but I didn't know the specifics of her story until later.
“At the beginning of the year Joe shared his plans with me for X-23 and at first I was a little surprised. But after seeing his script, I was very impressed with how well he handled the subject matter, as well as her character. When I got to the last page and she said her first line, I got chills. I think the book turned out beautifully. Just between us, I bought 100 copies. No joke, I did.”
As mentioned earlier, in
NYX, X-23 is…well, if she’s a super-soldier created by HYDRA, she’s a
lot more than “little girl lost.” From the looks of the activities in the issue…well, she’s in a room with a guy…money looks to be exchanged…there’s some dressing, some undressing…do the math.

According to Quesada, moving X-23 into
NYX’s more mature world wasn’t that huge of an issue. “On my end it wasn't anything that really came into question,” Quesada said. “When Craig and I discussed it in my mind she was about sixteen or seventeen, pretty much as she appears in
NYX. When I got the idea of having her as a cast member I called Craig and got his okay since it was his baby, he was thrilled. Also as it turns out they made her even younger for the TV show - because that's what they did with most of the X-men on the show, and according to Craig, they've changed and softened her origin considerably.
“One of the things you'll be seeing with this version of X-23 is a character with an origin that is as close to Craig's original vision as we'll be able to get on the comic page. Well, at least it will be when Craig gets around to writing it in 2004, whoops did I just give that away? Anyway - you also have to keep in mind that the place in her life where you see X-23 in
NYX #3 will be the last time you see her in that kind of a situation and without giving too much away, things aren't always what they seem. You'll discover some very interesting things about what happens when the doors close around X-23 and her situation.
“Much of the point of the series is to watch these kids take a lousy situation or a crappie hand that life might have handed them and still triumph despite of all of that. It's a very serious look at the making of heroes and it's a very Marvelesque formula presenting heroes with feet of clay. Does anyone remember that Tony Stark was an alcoholic? And that happened in the seventies which was pretty hard core for a comic back in those days! It's that ability to triumph and defeat your demons in order to serve the greater good that to me is the hallmark of great heroic tales and characters. The kids in
NYX are no different, I've just tried to take the formula and update it in a way that kids today maybe can relate to. It's a cold hard world out there and the horrible reality is that on way too many occasions kids are forced to live in it.”
And yes, Quesada knows the arguments – heck, he’s made them himself: if an audience member of another version of a character likes the character enough to track them down in comics, then the comics character should map pretty closely to the version from the other media, right?
“There wasn't that kind of thought put behind X-23,” Quesada said. “As I said, at the time that Craig and I discussed her she was basically just a great idea, well at least to the two of us she was. The future of the show wasn't certain so we just wanted to make sure she had a life somewhere in the Marvel U. Also, it's pretty obvious that her origin wasn't something that could be used easily in the show because of it's very sad yet hard edge so either way we were looking at splitting the baby somehow. Arguably, this is the fine line we have to walk between different media with our characters. Obviously a character like Wolverine isn't going to be quite the same in a Saturday morning cartoon to what we see in the movie or the comic.”
On the art side of the coin, although
NYX artist Josh Middleton knew that X-23 was coming (Quesada had mentioned her when the two first started talking about the project), he didn’t know too much more about her, aside from Quesada’s notes.
“As far as I was concerned, we were starting from scratch,” Middleton said. “I simply designed X-23 for
NYX based on the outline Joe had given me which really spoke more to personality than visuals. I think it was suggested early on that X-23 be the ‘goth-chick’ of our little group, and she did seem the perfect candidate for a ‘goth’ look, given their obvious need for a hug. It's just a cry for help, isn't it, with all the eyeliner and frowning. Damn jocks and all their joyous victories...Anyway, the danger with X-23 is the hug might get you run through with some very sharp claws.”
The need for that hug is matched by the quasi-vacant look Middleton puts into X-23’s eyes, indicating that she’s not really
there, mentally either due to damage – or choice.

”Because she's not exactly talkative, so much of her character has to come out through really subtle body language and expression,” Middleton said. “It's sometimes a real challenge when working in a somewhat minimalist style. Right away I saw her as being almost black and white, pale skin and dark features with long hair to hide behind, and having slightly unusual or exotic qualities, such as very wide-spaced eyes which helps suggest a more animalistic nature. Within all of that was the need to project a sort of innocence, something that begged for your pity. Of course, all of this fit in nicely with the ‘goth’ image. The fun will be revealing all of the shades of gray she keeps hidden away. In the end, she was a natural to design, feeling right at home as an introverted, self-mutilating, ferocious but lovable ‘goth-chick’ with claws. Every parent's wish, really.”
“Josh is an amazing talent,” Kyle added. “I couldn't have asked for a better artist to draw X-23 and bring her to life for a new audience. He deserves more credit than I can express in a single chat, as does Joe. They both did a wonderful job on X-23 and I'm grateful.
“As for the maturity issue and the cartoon/comic stuff...I deal with issues like these all the time.
Evolution is its own universe. The X-characters in that series are in every way, the ones loved by the hardcore, older comic fans. Their souls - or integrity - are maintained, because that is my number one concern, it is only the world that has been altered. So, X-23 is the same core character in
NYX that she is in
Evolution. In the comics, her life will be darker and elements of her past and future will be altered because - given the audience - that freedom exists. Also, the pitch I gave Joe was not something appropriate for kids. When I write, I go for it. I come up with stories and characters without pulling any punches and when I'm finished that's when I revise my ideas to make them suitable for the audience, in this case, children.
“I love the freedom celebrated in the comics. I also enjoy the challenge of trying to make shows older fans can enjoy, even though our main responsibility is to gear the material for kids ages 6 to 11. If we can't keep the younger fans, we don't have a show. It's a hard job, but very rewarding when we succeed. So my short answer is, no we can't make X-23 as edgy on
X-Men: Evolution but
NYX is its own reality, so more power to them.”
As for X-23’s path as time goes on in
NYX, Quesada said that many questions – including hints as to whether or not X-23 came about the same way, i.e., cloned, as she did in the animated series, or if she’s actually Wolverine’s daughter via the old fashioned method - will be answered in the coming year. And hints are already there.
“Right now there are some very obvious differences between the two characters, in the comic she's at least 3 or 4 years older and she looks rather different than she does in the show,” Quesada said. “All I can tell you is that there are dramatic differences from the comic version to the show, first and foremost, the origin and back story in the comic version will be closer to the purity of the creator's vision, so expect some very cool surprises.”
But does she know, in
NYX, who her “daddy” is?
“If I told you Craig would go all X-23 on my butt so you'll have to wait and see.”