
As announced at today’s WizardWorld Texas
DCU panel, 2004 will see the release of Marv Wolfman and George Perez’s long (and we mean
long) awaited
Titans graphic novel,
Games. Newsarama caught up with Perez, Wolfman, and even a surprised Mike Lovitz to get the story of this legacy project and see some art.
First, a little history on the graphic novel. The setting for
Games is just after the “deluxe” or “baxter” series changes its name from
The New Teen Titans to
The New Titans, circa 1988. “The Judas Contact” was a memory, Dick Grayson had become Nightwing, the Wildebeast was around, Perez had left the series, and had just come back with issue #50, the “Who is Wonder Girl?” four-part arc.
Actually – there’s a funny story about that arc. As it turns out,
Games is the
second Titans graphic novel.
“The irony of all of this is that the ‘original’
Titans graphic novel was going to be the ‘Who is Wonder Girl?’ story that ended up being issues #50 to #54 of
The New Titans when I came back to the book,” Perez said. “Marv and I had already started that as a graphic novel, but when I came back, we decided that we could put the story into continuity, and get it out of the way. But that was the original graphic novel, so when that was printed, we had to start fresh with a whole new story, and that became
Games - so, if you want to get technical about it, this is my second Titans graphic novel.”
So – on to
Games.

It was originally started sometime between 1986 and 1989, when Wolfman was in New York visiting the then
Titans editor Barbara Kesel. “Barb and I were going to meet at George's house in Jamaica, Queens to discuss doing the first Titans graphic novel,” Wolfman recalled. “When I got there I told them the rough basics of what I thought might make a good story, and then we sat down and plotted out the novel. George fleshed it all out and went to work drawing what I thought was some of absolute best Titans material he had ever done.”
As far as where
Games fits in to Titans continuity, that’s a good one. “This is a stand alone story that would have affected continuity had it come out in ‘89, but now needs to have a timeless feel to it,” Wolfman said. “Some very big things happen to major Titans players, but since it didn't happen back then, it has to fit into some sort of reader's mental continuity. They should decide for themselves when and where it belongs.”
So, work started on the story which told of the Titans finding themselves in the middle of something where they have to figure out what’s going on (“Sorry, but the high concept is what the story is about,” Wolfman said). Wolfman’s script was moving along, and Perez’s art was as well.
Until
it
just
stopped.
“At some point after drawing 70-plus pages, George hit a wall with the Titans and couldn't draw another page. I understood completely as I was going through the aforementioned writer's block myself,” Wolfman said. “The book just stopped.”
The art for the book was housed in the DC offices for a while after the project died, where it caught the eye of Michael Lovitz, a copyright lawyer (and occasional Newsarama columnist). “I had the opportunity to tour the DC Comics offices and met the editor on the book, who at that time had the pages, so I saw them just a couple of years after the project was killed,” Lovitz said. “I was later offered the opportunity to purchase the pages from another art collector, and was thrilled to be able to own this really cool piece of unfinished history, just as I'm thrilled to own pages from the original
JLA/Avengers that George worked on.”

While Lovitz became the owner of the art in the intervening years, it didn’t stop one the story’s creators from becoming an advocate for the project’s resurrection. “From '89 to this past July at San Diego, I pestered just about every editor who has ever been on the Titans to get the graphic novel going again, with another artist if need be,” Wolfman said. “And though the Editors expressed interest, DC always turned it down. As I later learned, their feeling was that original graphic novels needed to be done by one team and that bringing in, say, Phil Jimenez, who could mimic George's style, would take away some sort of individualistic artistic viewpoint and make it less of a personal expression. This was George and my story and even if it's okay for various artists to work on a regular comic, a novel should be more artistically controlled.
“Obviously, DC could have made a ton of money on this, so their viewpoint wasn't business driven but a creative decision. As much as it frustrated me, how could I argue
against artistic viewpoint? That was why the
Titans was such a good book in the first place. I had seen George at two conventions this past year, one in Kansas City and one in Pasadena, and I lobbied him to do the book, but, being immersed in the middle of JLA/Avengers, I don't think he was really interested in doing yet another big group book like that. Later on, Paul Levitz was at my after San Diego Con party this past July and I lobbied him again, but to no avail. So I finally accepted that this was one dead parrot of a book.”
And Perez knew what Wolfman had been doing over the years – he was just too bust to commit to it again. “Marv had mentioned for years his desire to get
Games done, and I had told Marv I wasn’t really interested in doing it, because the story was dated and I would have to recreate the pages and couldn’t see myself doing it,” Perez said. “But Marv had been trying to get DC to green light the graphic novel again with other people finishing the artwork – although DC didn’t show any interest in finishing the book in that fashion. They wanted me involved to complete the book – pretty much the same way it was for
JLA/Avengers.”
As unfortunate as the chain of events was, CrossGen’s financial troubles allowed for Perez to once again consider
Games.
“When my relationship with CrossGen allowed me to start looking for freelance work after
JLA/Avengers, I was caught in a situation where people were offering me work left and right,” Perez said. “Thankfully,
JLA/Avengers had put me in a situation where I can pick and choose what I would work on, if I chose.
“But it was my friend and agent, Spencer Beck who called me up and let me know that all the pages to
Games were owned by Michael Lovitz. Spencer told me that Mike was very willing to give me the artwork back to use as a springboard for the remainder of the book if I wanted to do it.”

Well, Lovitz was willing to return the pages to Perez and DC, but not without an “aw shucks” of his own. “When I found out George and Marv wanted to resurrect the project, I was both thrilled and saddened - thrilled, because now we'd finally get the full story - and who isn't thrilled each time George gets to draw the Titans? Saddened because the graphic novel in its present, unfinished form is really a snapshot of the comic publishing process. Some pages are finished and inked; some are pencilled in
very full and complete pencils. Some are pencilled but not yet finished, with details still to be added. And a couple of pages are really not too much more than breakdowns. Now that the pages will all be completed, it means losing some of this beautiful pencil and preliminary work. At the end of the day, I'll be more thrilled to see the complete work; but still a bit sad to lose the ‘in process’ pages.”
Once Perez knew the pages were available, that was all he needed. “First I called Marv to see if he still wanted to do the project, and that call was merely a formality – I knew what the answer was going to be,” Perez said.
“Sometime in September, if I recall, George called and said he'd been thinking it over and wanted to know if I'd be on board if he called DC and said he was interested in finishing the novel,” Wolfman said. “I was walking around the L.A. County Fair when he called and I think the hogs in the building across the way could hear my squeal of delight.”
From there, the book needed a colorist, and Perez knew exactly who to call. “I called my colorist friend Tom Smith, since he’d been getting such great reviews on the coloring of
JLA/Avengers, and I wanted him to come onboard with this one as well, making it his first major DC project. Again, that call was just a formality – the ‘yes’ was pretty quick. With Marv and Tom on board, I called Eddie Berganza, who in turn called Dan Didio, and pretty much in one day, the project was greenlit.
“As it turns out, they all thought the timing was incredibly great. The Titans have had a resurgence in popularity, and the current version owes a lot to the Marv Wolfman/Geroge Perez version. It also allows DC to have a major project that they’ll be able to promote for Christmas of 2004, and allowed me to have another major project that wouldn’t quite kill me to the extent that
JLA/Avengers had been doing.”
As for those pages…as Wolfman mentioned above, the book’s late ‘80s death really was a tragedy – Perez had, all told, at least laid out over 80 pages of the planned 120.
“I made a count – there are 73 pages in various stages of development in either pencils or inks – and I have at least ten to twelve pages in various stages of layouts still in my drawer here,” Perez said. “So there are over 80 pages that are in one form or another that have gotten beyond the blank page. I’ll have to do some ink touchups on the pages that were already inked by Al Vey or me, and then ink the penciled pages, which were considerable in number. But a lot of this will be me scanning the pages, and sending them to Tom.

“The original coloring at the time – this was before computers were used, was going to be done by our colorist in a painterly style, so I was doing a very dead, flat line, so there were very few blacks, and very little differentiating of line weight, because it was going to look like a painted finished.”
Given that he’s finally getting the monkey that it called
JLA/Avengers off his back, and he has a two-issue CrossGen project coming up, Perez said that he won’t be actively working on finishing pages until March or April, but Smith will start coloring the pages that were already completed and only need minor touchups in early 2004. Wolfman said he’ll be waiting for the entire book to be completed before finishing his script.
“When it's all done I will take a month or two off and write it straight through,” the writer said. “Because I knew it would originally take even George, who is very fast, several months to pencil it, I never dialogued any of the pages back in '89 because I wanted to write it in one frame of mood so from beginning to end so it would be consistent. As far as sticking to the original plot, I assume George will do so and make alterations only once he gets into it and if they are needed.”

And there is one other part that needs to be addressed – making
Games work in 2004. “The only thing that Marv and I will have to sit down and figure out is how to make this work as a good piece of suspenseful storytelling, as all of these characters are now throwbacks to the late 1980s – their hairstyles, their clothing, the World Trade Center – all of these things are part of the story elements,” Perez said. “So Marv and I will have to work out a framing sequence that will allow
Games to have some sort of ramifications or repercussions, so that this old, ‘untold tale’ will be important to the current day, something to give it a feeling of urgency. The story, if done straight as an untold tale will not have any emotional investment, since everyone knows what has happened to these characters in the 16 years since the story was written. That’s one of the main concerns we have now.”
Although, there may
not be a framing sequence.
“I'd just soon have no framing sequence because everyone who buys the book will know it's set sometime in the past,” Wolfman said. “If they don't know it going in, I'm sure they'll realize it when they read whatever introduction or afterward we write. I'd love this to be a stand alone book not set in any time so anyone anywhere, including the kids watching the Titans cartoon show who have never seen the comic, can pick it up and not need to worry about where it belongs. At the time we did it we thought this was the best Titans story we'd ever done, so I'd like to see it stand on its own. But George or DC may have other views and when we finally sit down to talk about framing sequences and such, someone may have a compelling reason to do otherwise. Since this isn't a ‘My way or the highway’ kind of situation, and George and I have remained extremely good friends over the years, we'll do what makes the most sense at the time, which, again, is how he and I always handled the book. We always wrote and drew it from our gut and our heart, so why change that now?”
All told, Perez expects the book – if it has a framing sequence, to run around 150 pages, as it was supposed to be 120 pages as originally convinced, although it could run even longer. “Marv has some ideas about adding extras on top of the story – making it like a DVD with extras,” Perez said.
Finally, ask Perez to put
Games and
JLA/Avengers into perspective, and well…he can still end up scratching his head.

“Personally, I can’t believe I got the chance to step back in time not once, but twice,” Perez said. “This one even more so, because I’m working on the original project – the original pages. And of course, with that, thanks to Spenser and Mike,
Games became the perfect follow-up to
JLA/Avengers. This was a no-brainer. If people were excited about seeing me finish the first, it was only logical that I finish the other project form my history that everyone has been asking about. It doesn’t have as quite a checked history as
JLA/Avengers, but people have been wanting to see it for years.”
For that final question…
Games looks like this is it for Perez. His closet is empty of old project…almost.
“The only other thing that I never finished was
Crimson Plague, and I don’t think I can afford to finish that,” the artist said. “I’ve already got people offering me work for 2005, so I know that there’s a lot of stuff out there for me. One of the great things about comics is that there has always been a surprise out there for me. So I’m very happy the way life is turning out for me. Next year, I’m turning 50, and to still be getting all this work, and offers, and press is very gratifying to a guy who’s celebrating thirty years as a comic artist.”
for more, personal reminiscences about Titans: Games, Wolfman urged folks to hit
http://www.marvwolfman.com beginning Monday, Nov. 24th.