by Aaron Weisbrod
Somewhere deep in the hills of the southern United States lives writer/artist Eric Powell. Wishing to write and draw a book about a street-level thug who punches-out monsters and fights zombies, Powell created
The Goon and ventured into the world of small-press publishing, which was soon-thereafter followed by a stint of self-publishing.
Several southern-fried voodoo incantations later, the Southern bumpkin of dubious descent managed to bring
The Goon to Dark Horse Comics as part of a new created line of horror titles under the supervision of
Scott Allie.
Then eliminating all doubt that the rustic rapscallion had forged an unholy alliance with evil forces of most profound power,
The Goon almost immediately began to develop a rabid cult-like following among both fans and the popular press alike, including rave reviews in
Entertainment Weekly, where it was above Johnny Depp on “The Must List.”
Through careful use of a jug o’ moonshine, two tin cans connected by a length of yarn, and a ouija board, Newsarama was able to briefly speak with Powell about his action-comedy-horror book
The Goon, a one-of-a-kind romp that seemingly has every living (and dead) person on both sides of the Mississippi River a-buzzin’ with excitement…
Newsarama: Before we get into more modern times, let’s start at the beginning. Cajole us with tales of the young Eric Powell, and how you first ventured into the exciting world of comicdom as a lad…
Eric Powell: Tom Sneigoski got my first paying work for me. It was four issues of
Razor: Uncut we worked on together.
NRMA: How did you came up with the characters and cast of
The Goon?
EP: I don't really know myself. I just wanted to do something with monsters in it and a big thug as the main character. The rest of it just popped up in my head.
NRMA:
The Goon is a very unique title in the sense that it straddles several different genres at once. It obviously has a strong horror element, as the main character is an extorting street-thug who fights zombies on a regular basis in exchange for payola, but it is also deeply saturated with both wacky humor as well as moments of true sentimental drama. As
The Goon grew and took shape in your mind, did you make a conscious decision to keep it from being a straight "horror" book and/or a straight "comedy" book?
EP: Not really. I didn't think consciously about making it one or the other. The only thing I did do on purpose was to make sure I didn't put any restrictions on what I was doing. I wanted to do absolutely whatever I wanted. It's a dark comedy only because that's the type of material I seem to be drawn to.
NRMA: One of the earliest Goon stories appeared in the comic book anthology
Digital Webbing Presents, an off-shoot of the self-described "talent engine"/website
www.DigitalWebbing.com. How much do you feel the appearance in the “grassroots” publication helped you progress in your journey as a noteworthy comicbook creator?
EP: Actually, Digital Webbing was really promoting
The Goon on their website, so when they asked if I would do a short in their anthology, I felt it was only fair to pay them back a little. However, I had been working professionally way before that.
NRMA: You self-published a bulk of the early
Goon material under your own "Exploding Albatross" moniker. What were some of the ups and downs you experienced in your stint of self-publishing?
EP: The first
Goon series was actually three issues done in '99 by a different publisher [Avatar Press]. Then there was a Goon story in an issue of
Dark Horse Presents, then I self-published, and then Dark Horse picked it up permanently. Working with Dark Horse is way better than self-publishing. Now I don't have to worry about anything but producing the book.
NRMA: Speaking of Dark Horse, what steps lead to
The Goon finally moving into the Dark Horse stable as part of the line of horror comics? This was by no means an overnight transition, was it?
EP: No. I worked on some of the
Buffy books for Scott. I then pitched him
The Goon and all we could get was a story in
DHP. I ended-up self-publishing, and eventually they came around and decided to pick it up.
NRMA: The namesake character of
The Goon is a big burly guy who fights zombies and assorted monsters… as is another reputable Dark Horse horror character. Spill the beans, Powell: How long is it going to be before we see a
Goon/Hellboy crossover?
EP: A Goon/Hellboy crossover will never, never happen... this year.
NRMA: Hmmm… Speaking of guest appearances, your former editor Dwight Albatross hasn’t been seen around too much since your move to Dark Horse. Have his devoted fans finally seen the last of him?
EP: I think he's in the middle of a 90-day prison term for destruction of property.
NRMA: Finally, can you give some hints at what they can look forward to seeing in upcoming issues of
The Goon?
EP: Well, in the current issue, #3 you get to see Goon and Franky's childhood. The next two bi-monthly issues feature a skunk ape who loves pie and then a gang-war. Fun stuff.