by Benjamin Ong Pang Kean
Like all other Rising Stars of Manga contest winners who’ve signed book deals with TOKYOPOP, Jess Stoncius, from Carbondale, Illinois, is getting a bite out of, well,
Work Bites, an original manga created by the RSOM4 finalist.
Kicking off a series of features focusing on the next generation of manga-kas from the #1 publisher of manga in the U.S, we caught up with Stoncius for more on winning the contest and life after…
But first, here’s what editor Tim Beedle has to say about
Work Bites: “
Work Bites began as a Rising Stars of Manga entry that was a runner up in our 4th anthology. The concept of a vampire, a creature that's usually portrayed as darkly sexy and dangerously cool, suffering the far-too-familiar humiliation of working a minimum wage part-time job, was a fresh approach to the vampire genre. (A genre which, in my opinion, takes itself
far too seriously) Equal parts
Clerks and
Interview with the Vampire,
Work Bites was silly, irreverent and fun, and it proved to be one of the most popular entries in that collection among fans. In my opinion, asking its creator, Jess Stoncius, to expand her idea into a full series was a no-brainer.”
Okay, on with the show...
Newsarama: What made you decide to enter the Rising Stars of Manga contest?
Jess Stoncius: Well, the first one I entered was Rising Stars of Manga 2, and I entered it because I was interested in a career in comics and because I thought I might be good enough to win… which is pretty hilarious now that I look back on it. Yeah, okay, the entry wasn’t bad, but it had its share of flaws and obviously wasn’t good enough to win. It was a lot of hard work, but getting it done was a good motivator for me… because then I knew I
could finish a 15-20 page story in the time allotted, so I had no excuse not to enter subsequent contests.
I entered the contest two more times, because now that I knew I could do it, the priority was improving each time I entered until I had improved enough to place or possibly win. If I hadn’t placed in the fourth contest, I can guarantee you I would have entered the fifth, sixth, seventh, thirty-ninth, and so on until I won something. “Giving up” is not in my vocabulary… even though I just used it in proper context there...
NRAMA: Your winning entry in RSOM4 was called “Work Bites” too. Before we get into Book One of
Work Bites, what was your short story in RSOM4 about?
JS: The story was about a vampire named Lars (not Count Larsula) who works at a lame coffee store at an equally lame mall. He has to put up with a lot of crap from the customers, and hilarity, misunderstandings about the nature of the apocalypse, and cryptic, badly-misspelled notes ensue.
NRAMA: And how does it lead to the first volume
Work Bites?
JS:
Work Bites is the continuing epic saga (and by "epic," I mean "somewhat inane") of Lars the vampire as he struggles to become the "Lord of the Night," which is kind of like the Grand High Pooh Bah of vampiredom. To do this, however, he has to first gain the approval of other vampires, and that means he needs to have a lot of cool crap that they wish they had to prove that he is their superior, like leather pants and cell phones with appropriately Goth-y polyphonic ring tones. Since Lars is an adult, however, his father refuses to give him money to buy cool crap like mesh shirts and pimped-out hearses... therefore, he has to get a job. Initially, it's at a coffee store in the mall, but Lars doesn't have the best work ethic (or much in the way of sanity, really), so I wouldn't expect him to work at one place forever. Yes, this is a comedy. Most of it will take place malls, which are rather bizarre microcosms of society in themselves.
In the first volume, we see Lars entering the work force, and all subsequent parts of the story will involve his various misadventures in the working world, which is just as scary to vampires as they are to most people.
NRAMA: What inspired you to create this comedy… with fangs?
JS: That's a good question! The idea really just sort of hit me all at once, but it's mainly as a result of the fact that vampire stories really take themselves way too seriously for how ridiculous the subject matter is. There's either all this beautiful angst or all this angsty badassery, and somehow we wind up missing the fact that, hello, vampires have a history of being kind of silly. Like, I was really into [i]Dark Shadows[i] (the 1970's soap opera, yes. Stop laughing!) when they were showing it on Sci-Fi in the mornings. That has a vampire in it that turns into a freaking
rubber bat. And the show is so angsty and tries to be serious, but they have a vampire in it who turns into a
rubber bat!!! Or like, in a certain vampire movie I know of, some 1337 vampire starts what appears to be a Korn coverband to, uhm, well, I don't know what he's actually trying to do, but he's wearing leather pants while he's doing it. This is why I can't take vampire stories very seriously... so mine isn't meant to be taken seriously.
NRAMA: Count Larsula, I mean, Lars is the main character. Who’re the other main characters in the story?
JS: Lars is the main character. I mentioned before that he's a vampire, but he's kind of an atypical vampire in that he's not threatening or seductive or anything. He's cute, I guess, but he's kind of a loser, as far as vampires go. He wants a lot of things, but he's not necessarily willing to put the effort in to actually get them; he’d rather just be handed things. He's not exactly the sharpest cabbage in the sky, but he
thinks he is... always a dangerous combination. He winds up taking a lot of crap from various sources, which stresses him out a lot.
Adonis is another main character, but he's an elf and Lars’ sworn enemy and greatest rival. Because elves have recently become so en vogue with the mainstream, Adonis (which isn't his real name) is convinced he's hot stuff. Elves and vampires are natural enemies in the wild, so of course his main goal in life is to make things difficult for Lars. Adonis has more social skills than Lars does, but he’s possibly even more deluded by his own perceived greatness. He’s fun.
We’ve also got Tiffanee. While Lars and Adonis are under the grand delusion that they actually are cool, Tiffanee is widely regarded as
the coolest girl at the mall. Which means she gets to sit at the cool tables in the food court and gets to check out at the cool registers, and that everybody else in the mall is pretty much subservient to her. Both Lars and Adonis want to take her to the trendy event to end all trendy events—the town ice cream social. However, she won’t date a guy if he doesn’t have a cool car.
There are also a bunch of other characters, like the Mallcore Gothsquad (which are a trio of androgynous teenagers who hang out at the mall and try to con Lars into making them vampires), Lars’ traditional vampire dad, and a rather cantankerous alpaca.
NRAMA: Like the others, winning the RSOM contest has changed their lives entirely. How has yours been since the RSOM talent search?
JS: Well, I have a job now because of it; that's probably the biggest thing. I’d probably be in grad school, racking up some debt, if I hadn’t been hired to do this. Or I’d be doing graphic design somewhere while I worked on entries for the next contests or putting a submission packet together. This was always kinda the path I intended to travel, but winning the contest made it a lot easier to get there.
NRAMA: What have you learned from your editor, Tim Beedle and the guys at TOKYOPOP?
JS: Learn? We don’t
learn anything these days! Learning is for schoolchildren… [laughs] But no, seriously, my editor is the coolest guy in the universe. We seem to be on the same wavelength regarding humor, and that’s pretty valuable to have, since he understands my jokes and helps me refine them so everyone else can understand them. Uh, other than that, I’ve never really worked on a project of this scale before, and it really is a learning experience. It’s an exercise in motivation and pacing, and while it can occasionally be frustrating for somebody as impatient as I am, it’s also a very rewarding experience. Working for TOKYOPOP is awesome… my first experience with actual manga was reading a friend’s
MIXXzine when I was a sophomore in high school (though I’d known about anime and manga before then and watched anime regularly), so it’s really cool to have come full-circle like this.
NRAMA: What’s the release date for
Work Bites?
JS: Well, we're aiming for early 2006, but there are a lot of factors involved. If I get kidnapped by the Dog People of Cerberus 9 and am forced to crochet festive doilies for them at the sweatshop labor rate of six bark'tors a day until the holiday season is over, then the date might get pushed back. But, if I replace my arms with cyborg parts and can get a system installed to supply my body with a constant stream of Red Bull so that I never have to sleep, it might get pushed up. Since neither of those things appears to be happening right now, we’re aiming for early 2006.
NRAMA: As a reader, what're some of your favorite manga/comics?
JS: As far as manga goes, I tend to read a lot of stuff that's either shounen-ai or has shounen-ai subtext, or at the very least, well-drawn male characters as a prominent feature. I really liked
Fake. That's the only series right now that I actually own all of (it's only seven volumes and it's been out for a while). The chemistry between Dee and Ryo is really what makes that series stand out to me. I read
Gravitation, too, which is becoming increasingly weird, what with random panda mecha, but I think it's hilarious, and K is awesome. And, I've been on this huge
Saiyuki kick lately. This series truly owns my soul right now. I named my motorcycle "Sanzo," if that gives you any idea.
As for comics,
Watchmen was really good. Epic, even. And
Sandman rocks, of course... but Alan Moore or Neil Gaiman could probably write stories about mutant tadpoles who sing opera, with illustrations by a dead gerbil, and I would probably read it because it would probably be awesome.
Really, if it has either hot guys or a good story, I will probably read it and like it. If it has both, then that’s a major plus.
NRAMA: And how much have these influenced you as a creator?
JS: Uh, well, I like drawing hot guys, and manga has a lot of those (particularly
Saiyuki, of the ones I mentioned), so I guess that’s one thing… I think the funny moments in manga influence me the most, because I watched a lot of cartoons as a kid and a lot of American cartoons recycle the same jokes they were doing in the 30’s and 40’s in the
Merry Melodies cartoons… so you can see all of them coming a mile away and it becomes less funny the more you see them, because you know that the pie’s gonna be in somebody’s face the moment it shows up onscreen. I’m sure a lot of humor in manga is recycled, too, but I can’t spot it miles off, usually, and the cultural difference might be part of that. It’s just a lot more random and unpredictable and therefore, funny to me. I haven’t read the
Excel Saga manga, but the anime is hilarious…I like stuff like that. Weird, oddball stuff that doesn’t really make sense.
NRAMA: Anything else that you’d like to add about
Work Bites?
JS: I just want people to find it entertaining. I don't think there are any groundbreaking themes being explored, and that's not the point, really. Some of my fondest memories of comics were the
Super Mario Bros. comics published by Valiant when I was a kid, because I thought they were really funny. Similarly, I read manga because I want to be entertained, and I draw it because I want to give that experience to others. I love manga because it entertains me…I enjoy the aesthetic, certainly, but my primary goal is entertainment.




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