
One of DC Comics’ bigger - and more well received - announcements over this past weekend’s
Wizardworld LA convention was an upcoming new
Jonah Hex ongoing series by the
Hawkman/Monolith/Twilight Experiment writing duo of Jimmy Palmiotti and Justin Gray.
Newsarama caught up with the writers as we all made our way home from Long Beach, California via the Airfone for a few early words about the new series...
Newsarama: Okay, first of guys let’s start with the basics, like when does the series debut; who’s doing the art and covers? Etc?
Justin Gray:
Jonah Hex is an ongoing series and updated return to one of the great Western characters in comics. I’m not sure of the exact date but I think issue #1 hits this fall.
Jimmy Palmiotti: Each cover is going to feature one of the top artists in the industry…the line-up is amazing and each and every day we are getting people who we never knew were fans of Hex offering their talents to the series. As you can see, Frank Quietly is our first artist to be featured on the cover and Justin and I are both fans of Frank’s work. When we saw this cover come our way, we both flipped out…this is a classic example of how a picture is worth a thousand words.
NRAMA: Tell readers a little bit about how this series came about? Did you pitch it to DC? Did they come to you with the idea? What made y’all commit to it?
Gray: For me it came as a phone call from Jimmy that started with, “Dude, what do you think about Jonah Hex?” A wise man does not say, “No thank you” to a chance at pitching Jonah Hex.
Palmiotti:
Jonah Hex was a comic that I loved to death when I was a kid, and to tell you the truth, the best part of this job is being able to get a chance to work on something that has made an impression on you … to get the opportunity to write Jonah has really been a dream come true for us both. I personally have been after DC. To get a shot at the character and have been bugging the people up there for years about its availability to us. Something like this was all about timing at the end of the day.
When I heard there was a chance that we would be able to pitch our version of the character, I picked up the phone and called Justin. We had a proposal done in one afternoon. Believe me, it wasn’t a hard thing to pitch, we just got really lucky that it was exactly what they were looking for and we consider it an honor that the company has so much faith in our work. We finished up our run on
Monolith and it was perfect timing for us all around.
NRAMA: Common wisdom suggests the HBO series
Deadwood has opened the door for a lot of Western projects to get greenlit, or at least given a second look. Is that the case here?
Palmiotti: How could it not be in the back of most people’s minds, it’s a brilliant show.
Deadwood is opening a lot of minds to the wonderful history of our country, and how any well written show can exist in any time frame as long as the characters are developed correctly.
But I think the main thing to understand about
Jonah Hex is that it is one of the few genre titles that has been successful (for over 8 years back in the 70’s) and is still considered one of the best runs of any comic book in the Western genre. This character has a great history in the DCU, and will continue long after we leave the planet.
Gray: I can’t speak for other people in terms of the impact
Deadwood may or may not have had on greenlighting a return to monthly
Hex comics. The Western was a staple of the industry as was Romance and War comics. If
Deadwood helped then I better thank [series creator] David Milch and HBO.
NRAMA: But can that also be a double-edged sword of sorts? After all, won’t things be compared to
Deadwood?
Palmiotti: That’s fine by me. I consider it a challenge to tell you the truth.
Deadwood is limited in a way because it is about a few characters in a specific town.
Jonah Hex is about one man - a bounty hunter - who wanders all over the country making a living doing a dangerous job. The landscape and towns constantly change and there is so much history to interact with in the storytelling that the opportunities are endless for us.
Gray: I can’t concern myself with people making comparisons. To me
Hex is not a situation where someone said, “Westerns are ‘hot’ again, so lets rush something into production to capitalize on the success of
Deadwood”.
As to how the series is handled and the Westerns that inspired me,
Deadwood is just the newest addition to a rich landscape of material.
NRAMA: Okay, moving on before this becomes an interview about
Deadwood … educate some of our readers here who may not be familiar with
Jonah Hex – Who is he? What sets him apart from being just another cowboy? What can you tell readers about his “origin”?
Gray: Jonah Hex, sometimes bounty hunter sometimes gun-for-hire, is a haunted, scarred, and brutally efficient killer, whose morality is questionable at best. Haunted men don't talk and when a character isn't babbling on and on about something we don't care about, that leaves lots of time for sneers, squints, one liners, and bloody shootouts.
This is not a book about your sensitive 21st century man in touch with his feminine side; this is raw violence, filled with bullets blasting through people of questionable value. Having been handed to the Apaches by his drunken father, his face deformed for a crime he didn’t commit and a tour of duty as a Confederate soldier in the Civil War, Jonah Hex has long since abandoned compassion for his fellow man. The West was dirty and often unpredictable, men are hanged, women raped, and children stolen, and everyone had different ideas on how to look good dying.
This is an unvarnished look at the mythologized American West. Jonah Hex is less a man than a force of nature, a storm that blows across the plains of the west clearing the lands, burning the refuse and moving on. If something good comes out of it, believe me it wasn’t intentional.
NRAMA: Can you give an example of what cowboy mold he’s from – he’s more Leone’s Eastwood, rather than High Noon’s Gary Cooper, right?
Palmiotti: There are different points of his life that he can fit both of these molds, but to tell you the truth, Jonah falls easier into the Leone category more often than not because the realities of life in those times are a lot harsher than most Western directors cared to explore.
Leone understood the dirt, grime and utter insanity of the era better than most. What we are trying to do is give the reader the most realistic depiction of that time we can, with as much graphic storytelling we can get away with.
Gray: I don’t see him as Cooper or Eastwood, but clearly you can draw comparisons between
Josey Wales and what John Albano brought to life in 1972. I look at it from a perspective of the “other” Sergio - Sergio Corbucci - and some of the more obscure westerns made in Europe as well as Sam Pekinpah. I see Hex as a strange amalgam of Django and Lee Van Cleef with a splash of
Phantom of the Opera. A fractured and damaged man; this is best exemplified by the metaphor of his scarred face the dichotomy of the handsome cowboy and the vicious killer that make up Hex’s psychology.
NRAMA: What can you tell us about your storyline at this point? Where does this story pick up with Jonah, and what’s he fighting for/against?
Palmiotti: Jonah is a bounty hunter…he tracks down criminals for a living and once in a while takes on some freelance jobs, mostly offered to him based on his reputation. He is an excellent gunfighter and to most people seems to have the devil himself working hand in hand with him.
Gray: What we’re writing could easily be called “Legends of Jonah Hex", adding to his myth in single-issue, self-contained tales about a scarred, gun slinging bounty hunter who’d kill you just as soon look at you. We’re not as concerned with presenting a linear timeline as we would be with a book like
Hawkman, but rather playing on the idea of sitting around by a campfire in the dead of night and the guy next to you says, “I heard of this fella they call Jonah Hex, they say he killed twenty men with six bullets and a broken hand…”
Hex is larger than life at a time when there was no real law or societal watchdog to keep the worst in people from spilling out. The most personally appealing aspect of Hex is his view of justice. We’re not looking at the square jawed and clean-shaven moralist with a six-gun. Jonah Hex has a moral compass that allows him to kill and torture people without regret so as long as they get what’s comin’ to them. Hex is everything Batman secretly wishes he could be, but polite society and the rest of the world won’t let him.
NRAMA: How about other cast members?
Palmiotti: Every issue introduces a different cast of characters with us, the readers, going along with Hex for the ride. If Jonah stays in one place for a bit, then there might be some repeat characters, but not likely in the first year of the book, at least it looks that way right now.
Gray: The book has two main characters, Jonah Hex and the Wild West, everyone else is either catching bullets or running in the other direction. At some point I’d really like to inject Diablo and some of the other DC western characters into the book but we’ll have to see how it goes.
NRAMA: Do you guys consider this series sort of “reestablishing” the character, like perhaps
Adam Strange is doing for the DC cosmic/space heroes? Are more of DC’s Western heroes on the horizon?
Gray: Yes, this is absolutely a case of reestablishing Hex while respecting the history of the character, but not in the same way as you would a superhero because Hex doesn’t have the same kind of continuity as a Flash or a Superman. I guess if you look at what’s coming from DC in terms of Grant Morrison doing
All-Star Superman, you can apply the same idea to what we’re doing. Hex is a series of tales based on the core idea of the character; a former Rebel Cavalry rider turned ruthless bounty hunter.
Palmiotti: We are taking the classic Western character of
Jonah Hex and introducing him to a whole new generation of fans while aiming to please the fans of the original series. One of the thing we are going to do with the title is to handle each and every issue as a self contained story …to give the reader a complete tale - a beginning, middle and an end.
Both Justin and I feel it’s important to handle the title this way to constantly give the readers the chance to hop on to the book at any time and really dig in.