by Mark Allen
He’s effectively been in retirement for nearly 15 years when
Sable, the second title starring freelance trouble shooter Jon Sable ended. Created by Mike Grell in 1983, Jon Sable first appeared in
Jon Sable, Freelance #1 from First Comics.
While his comic series ended, Sable always stayed very close to the heart of his creator – the character flirted with exploitation in other media over the years, and Grell himself penned a 300-plus page Sable novel,
Sable in 2000.
In April, Sable returns in
Jon Sable: Bloodlines, a six-issue miniseries written and drawn by Grell, featuring the character racing to both prevent and get to the bottom of an assassination plot in New York while facing his own personal demons. The release of the new Sable material by IDW will be complimented by the release of trades collecting the original First issues as well.
We spoke with Grell for a primer on Sable, as well as a look at some of his past exploits.
Newsarama: For those unfamiliar, give us a little background. Breaking it down, who is Jon Sable?
Mike Grell: His business card reads:
JON SABLE, FREELANCE
Freelance bounty hunter, bodyguard, mercenary…… anything. As long as it’s dangerous. He’s the kind of guy men want to be and women want to be with…… unless you know what made him what he is.
Sable’s life was shattered by the slaughter of his family by ivory poachers…… and by his own terrible revenge. But what do you do when vengeance is done?
Deported from his beloved Africa, Sable becomes a hopeless drunk, until his old mentor Sonny Pratt pulls him out of the gutter and tries to set him back on his feet.
What few people know is that his bizarre battlemask hides a gentle side. Under the pen name "B.B. Flemm,” Sable is the author of popular children’s stories about a troop of leprechauns living in Central Park. Guided by his literary agent Eden Kendall, he struggles to put his life back together.
Now living in New York, he meets artist Myke Blackmon, who illustrates his leprechaun stories. Finally, there is someone who can break through the barriers and make him dare to love again.
But his dark past won’t stay buried.
NRAMA: Back when you created Sable, were you trying to accomplish anything in particular with the character, and do you believe you were successful?
MG: Yes. I was trying to break the mold of the standard comic book hero. I was tired of doing superheroes and wanted a character set in the real world, who dealt with the things you hear about news, who had to be responsible for his actions - ever wonder about the folks on the ground when superman throws a villain through a building? - and was personally affected by the violence he inflicted.
NRAMA: That said, Sable seems to have more in common with heroes of action novels. How do you feel Sable is unique as a comics character?
MG: For all of the above reasons, plus the fact that I turned the standard comic book hero upside down - your stock superhero is mild-mannered by day and the dark avenger by night. Sable is practically listed in the Yellow Pages under Blood/Guts. Everyone knows he's Mr. Action Adventure. His deep, dark secret is that he's also a closet nice guy who writes children's books. B. B. Flemm is not a secret identity, it's his nom de plume. He only wears the stupid wig for personal appearances because he doesn't want his knuckle-dragger pals to know he has a soft side.
NRAMA: Speaking of those knuckle-dragger pals – they’re back in the new storyline. What can you say about the new storyline?
MG: In terms of continuity,
Blood Trail essentially takes up where my novel left off, but also combines characterization developed in the comics. It's designed to re-introduce the character to an audience that may not have seen the original material, so I'm being very careful to bring people up to speed.
Sable finds himself at a low point in his life. His books are selling poorly, his relationship with Myke Blackmon has fallen apart; he's suffering PTSD [post-traumatic stress disorder] flashbacks and he's off the wagon. His old pal Sonny Pratt has taken him in and is trying to help him put his life together when Jacob Inyati, Sable's old friend and former tracker, arrives in New York as newly appointed Ambassador to the U.N. and is met with an assassination attempt. Sable is reluctantly drawn into the hunt for the assassin, but his involvement creates danger for everyone around him.
NRAMA: So this is a throughline continuation of everything that you’ve built upon since 1983?
MG: Pretty much. I've tried to evolve the character over the years, making him accessible to today's audience. This is the "next step". There are layers to any good character that remain just below the surface - like licking a Tootsie Pop: there's going to be a payoff, but you need to be patient.
NRAMA: Over the years, many of your fans have formed the opinion that this character reflects the creator, to some degree. So, what do Mike Grell and Jon Sable have in common?
MG: Agatha Christie said, "When you read a book, you get 10% plot, 20% characterization and 70% whatever the author knows best." I've been a hunter all my life, been on safari in Africa twice and one spent 18 nights in a tree trying to ambush a cattle-killing leopard. And I do have a certain amount of background in books for kids. Sable uses a broom handle Mauser, not because it's the best gun, but because
I think it's cool. Same for the '53 Studebaker.
NRAMA: Delving into the history of Sable a little, let’s hit a couple of old projects, first dealing with one planned in the early to mid-'80s, which never saw the light of day:
Jon Sable/Batman. How far did this get up the pipeline and why did it never see the light of day?
MG: The plot was finished and approved, the editors and creative staff were all onboard and the publishers both wanted to do it. Then the lawyers got involved and the deal turned into a morass that sucked the life out of the project. I'd still love to do it, though.
NRAMA: What was the premise behind the story?
MG: The plot was simple, but fun. A man suffering from amnesia comes to Sable wanting him to help discover his identity. It should be a simple matter of running the guy’s fingerprints. But there’s a slight complication...under his suit, he’s wearing a Batman costume! What if he really is?
NRAMA: Continuing with Sable’s life outside the series, there was also the
Jon Sable television series, which aired in 1987 on ABC, but didn’t stick around long. Do you believe the character was well-handled by the network?
MG: The show was doomed from the start, because they ignored the essential fact that Sable was the exact opposite of every other comic character. In typical Hollywood fashion, they decided that I had it all wrong. Their
brilliantly unique idea was that by day he was the mild-mannered children's author and by night he became the dark avenger, complete with secret identity and the whole works. I told them up front, warned them when they did the pilot and predicted doom from the start. Three episodes into shooting, they decided that I
did know what I was talking about and tried to change it, but they never got the chance to see the results. The show was canceled with episode two and only ran for six because they were already in the can and ABC needed to fill the slot.

That said, the creative staff - actors and techs - were wonderful. Lewis Van Bergen did a great job with the material he was given and Renee Russo made her acting debut as Eden Kendall. It's more than worthwhile to watch just to see her blossom right in front of the camera. Despite the material, she absolutely shines. That's called a Star... with a capital "S". I'd love to see her reprise her role in a movie.
NRAMA: As the announcement of the return of the character at IDW has shown, Jon Sable fans haven’t fully left the building. What kind of fan response have you gotten since the announcement of Sable’s return to comics?
MG: It’s been tremendously gratifying to know that so many of the old fans are still out there, waiting for Sable to return.
NRAMA: So how did the deal with IDW come about?
MG: Through months of effort and negotiating by Mike Gold, my old pal and editor on
Sable. Basically, the Grimjack deal laid the groundwork for Sable to follow.
NRAMA: On the subject of a Jon Sable movie, has that been pitched, and, if so, what interest has been shown?
MG: There is considerable interest in Sable for a film. At this point, with the book about to debut, we’re examining all opportunities very carefully.
NRAMA: Do you have the time and/or interest to realize another ongoing Sable comic series?
MG: If the numbers are there, I’d do it in a heartbeat. Nothing would give me greater pleasure.