
Continuing our look at the miniseries coming from DC following
Countdown, we touch on the cosmic side of the DCU with the May debut of
The Rann/Thangar War, written by Dave Gibbons, with art by Ivan Reis.
Unlike
The OMAC Project,
Rann/Thanagar doesn’t spin
directly out of
Countdown - it’s a more thematic follow-up, as DCU Executive Editor Dan Didio has said it will be where DC re-establishes the “cosmic” side of its universe, something that’s been slightly to largely neglected of late.
DC’s science fiction heritage goes back decades and looks to the likes of earthman Adam Strange, who was transported via Zeta Beam to the far off planet Rann, and became the hero of a world as one of its earliest members. Throughout the Silver Age, and under the guidance of Julie Schwartz (although the very science fictiony
Legion of Super Heroes was making its mark in the larger, more cosmic scheme of things), DC’s “cosmic” scope grew, and landmark planets and alien races were created that would both interact with earth’s heroes, as well as see stories set on their own worlds.
Perhaps the most recent, concerted emphasis on DC’s cosmic side came in the ‘80s thanks to the likes of the
New Teen Titans’ Tamaranian princess Starfire and the cosmology her origin and backstory afforded the series. Likewise, the time also saw
The Omega Men get their own series. Later,
LEGION (a present day police force, not the future teen heroes) came, along with the
Darkstars. By and large, DC’s cosmic side went under the waves in the early to mid ‘90s, and hasn’t really seen a push – until the currently running
Adam Strange miniseries by Andy Diggle and Pascal Ferry. When it was announced, Diggle made no bones about the fact that Didio had told him this was his first step in revitalizing DC’s grand cosmic legacy.
And now, in May, the legacy gets another kick, as
The Rann/Thanagar War continues with threads started by Diggle in
Adam Strange.
But first off, no, Gibbons isn’t offended if he’s asked how he landed the job, as it would seem that
Adam Strange writer Andy Diggle would be the obvious choice. He’d already been looking to the stars.
”Actually, I'd worked up a few ideas for another star-spanning mini-series and, although they ended up not being right for that, they fit perfectly into the Rann/Than scenario,” Gibbons said. “Peter Tomasi suggested that I write the
Rann/Thanagar series, too and I was happy to oblige. And I think that Andy has other fish to fry anyway...”
For Gibbons, writing the story of an intergalactic war adds a relatively new notch to his belt, which already contains a wide breadth of tales, though, given his latest writing output, an alternate history
Captain America story and his original graphic novel,
The Originals, a star-spanning adventure may have seemed like the last thing he had in him.
“I've always been surprised at what I do have in me,” Gibbons said. “Although I had to do a fair bit of research, the DC Universe seems to have seeped into my soul over the past decades, and it was no great stretch to embrace Rann and Thanagar. They're as familiar as Mars or Venus, in some ways more so. Also, I've always loved space opera, particularly the works of Asimov, Niven and Ian M. Banks, so it wasn't that unusual an area for me.”
With Didio saying that
Rann/Thanagar War would clarify and bring back the cosmic side of the DC Universe, it’s no surprise that Gibbons had some fairly strict guidelines from day one. “There's bound to be a lot of direction when you're attempting to tie a story in to wider continuity and the narrative has to function as more than just a personal vision or exploration of a situation,” the writer said. “It's a question of trying to remain fluid as the bigger picture changes around you. I won't pretend it's been easy and it's certainly been a learning experience for me. However, I have a great deal of respect for Peter Tomasi and Steve Wacker's editorial skills and feel we've become war buddies in our own way!
“As I understand it, DC are trying to clear the decks and establish the base situation in the different areas of their universe - science, magic etc. - to build upon. This interplanetary war provides the way to bring several of their science fiction characters to the fore and explore their relationships and loyalties. Along the way, we'll see clear lines drawn in the map and get a sense of the scope of their science fiction universe.
”Now that the spadework is done, I'm really enjoying fleshing out the narrative and discovering the niches where I can add my own personal embellishments.”
While Gibbons said that he’s not consciously basing or riffing
Rann/Thanagar War off of any classical battles or wars, he wouldn’t be surprised if readers point out that he’s (subconsciously) pulled from Homer or Shakespeare in regards to the personal conflicts amid the large-scale action, which consumed the miniseries’ early days.
“Much of the early work went into blocking out the action, since there are certain beats that have to be hit in a project like this,” Gibbons said. “Having said that, we've made many changes to accommodate character and incident. Again, the trick is to remain fluid. Even with a clear road map, side trips and layovers present themselves, along with unexpected, compensating short cuts. And it's true that the characters themselves start to have a say, as you write them.
”In character terms, the war is just the setting and the interest lies in seeing how our various players respond or take the initiative. Even in battle, there are quiet moments and unexpected, surprising or forgotten traits and behavior come to the fore.”
And yes, like Geoff Johns, Gibbons also noted that Kyle Rayner is on the cover of issue #1 – signifying that he apparently
doesn’t die in
Green Lantern: Rebirth. “Just as Adam Strange has been through a war of sorts before our story begins, so has Kyle. The scars of
Rebirth are starting to heal for the Lanterns and the Guardians are thinking once more of the part they must play in the evolution of the universe. As Kyle was finding, even before
Rebirth, his destiny lies increasingly off-world. How he will respond to his new role and the orders he receives is what we'll see the beginnings of here. Like much else in the DCU right now, we're in the foothills of massive changes that are building for anyone with a Green Lantern ring.”
In regards of the larger picture, Gibbons said that the seeds of the conflict between Adam Strange’s adopted homeworld of Rann and the world of the Hawkmen, Thanagar were sewn long ago, and the recent flare up in the
Adam Strange miniseries was just the most recent skirmish in a decades-long antagonism.
”Rann and Thanagar have always had an uneasy truce. And both bear the legacy of past conflicts,” Gibbons explained. “Rann, a world of science, has been ravaged by atomic war and the consequences of its technology. Thanagar, a planet of warriors and ancient tradition, acutely feels the loss of its previous empires and supremacy in the galaxy. When Rann's technology is apparently turned against Thanagar, with devastating effect, retaliation becomes inevitable, and ancient forces seize the opportunity to pursue their own dark agendas.”
If you’re thinking what you’re probably thinking, don’t worry – Gibbons is thinking it too. Six issues for a war between two planets? Riiiiiight.
“An interplanetary war is never going to be neatly tied off in a six-issue story, so expect the consequences to reverberate and color the DCU for a long time,” Gibbons said. “Allegiances will be formed, destinies will be altered and there will be a resolution to a major strand of the conflict. And not everyone will survive...”