by Benjamin Ong Pang Kean
The solicitation text for April’s
Nightwing #107 says it all:
NIGHTWING #107
Written by Devin Grayson, art and cover by Phil Hester and Ande Parks.
Featuring the new Nightwing creative team of writer Devin Grayson and artists Phil Hester and Ande Parks. Dick has left Blüdhaven, and the only people he can trust are those who'd kill him if they knew his secrets. He's in over his head, alone, and it¹s only going to get more dangerous.
32 pages, $2.25, in stores on April 13.
We caught up with Hester for a quick chat.
Newsarama: First off, how did you land the
Nightwing gig?
Phil Hester: Ande and I knew our time on
Green Arrow was coming to an end. We'd been on it for four years and needed a change of pace. We let DC, and specifically the Bat office, know we would love to stay in the DCU and Nachie Castro offered
Nightwing as one of his first acts as editor of the book. Nachie was one of our former editors on
Green Arrow so it was an easy decision to work with him again.
NRAMA: So DC handed the gig to the both of you on a silver platter?
PH: Dan DiDio told us he wanted
Nightwing to get a bit of a push this year and he felt having a stable art team on the book was a step in that direction. It all went down between San Diego and Chicago last summer. We still had a few issues of
GA to go when we knew we had
Nightwing as our next gig.
NRAMA: Have you drawn Nightwing and/or Batman/Bat-related characters before?
PH: Just Batman in a couple of issues of
Detective and in guest appearances in
GA. [As for] Nightwing, never. I spent some time before penciling working out our "look" for Dick Grayson & co. Ande is cuckoo for Batman, so this book, with its frequent Bat-sightings, is a lot of fun for him.
NRAMA: In your view, how does Dick/Nightwing fit into the larger Bat-universe, character-wise?
PH: Well, you can't understand Batman until you understand Robin. I know when I was a kid, I was dead set against Robin. I thought he was silly. I never wanted to be Robin, I wanted to be Batman. But as a grown-up, and now a comic book creator, I see the balance Dick Grayson's character brought to an otherwise overly grim Batman. Frank Miller's said it many time, but I'll try and paraphrase here: Bruce Wayne is crime fighter because he's motivated by his parents' murders, but he's Batman because it's
fun. No one identifies with Batman because we think it would be cool to be obsessed with vengeance; we want to be Batman because it would be awesome. To me, Robin, and to an extent, Dick, is the personification of that joyful aspect of being Batman.
NRAMA: After all these years, do you think Dick's destined for superstardom?
PH: Dick Grayson is one of DC's oldest characters. He's been around for everything. Bottom line, he's a cool character and deserves a little more exposure. DC seems to know when they need to dust off a character and return him or her to prominence rather than simply junk them.
That long life may also be the reason he's on the back burner for a lot of fans. They think they already know all there is to know about him, so why bother? When a character has a ton of history you can easily spend all your time sort of servicing his continuity, just maintaining his status quo. I think DC recognizes that he's a character with a ton of potential outside of all those back story entanglements. I hope we're presenting him in a way that makes him interesting to readers who couldn't give a hang about his past while still being faithful to the established character.


NRAMA: For you, personally, who is Nightwing, and how does that affect your aproach?
PH: I'm trying to balance the intensity of Batman with the joyfulness of Robin. He's powerful and dark, like Batman, at the same time, lithe and playful like Robin. In some ways he's a better hero than Batman. I think he has a better perspective on fighting evil in general, whereas Batman seems so focused on Gotham City and his rogues gallery.
NRAMA: Art-wise, how are you approaching the character and his surroundings? How is drawing
Nightwing different from
Green Arrow?
PH:
Nightwing is a Bat-book, and I hope my naturally dark, angular tendencies will play well in the back alleys of Bludhaven and Gotham City.
Nightwing has a little more frenetic, bouncy energy than
Green Arrow, so I'm trying to capture that gestural energy when drawing him. It's the change I was looking for when I left
GA.

We also get to handle covers on the book and that's been a welcome challenge. As an artist, it really helps crystallize what's happening in the book to have to focus on one image from the story that engages the reader in an unexpected way.
NRAMA: You’re also, obviously, changing writers while changing titles. So far, what’s working with Devin Grayson been like?
PH: Devin is totally invested in the character and has a definite long term arc in mind for him. She really lives in his world. Her scripts are full of so much information that the reader will never see that build a back story and foundation for every character in the book. She's also an open, friendly collaborator.
I don't want to give anything away, but I think a lot of her mission is giving Nightwing an identity outside of Batman's long shadow. She's setting out to prove he's more than "Robin grown-up" or "Batman-lite" and I'm confident she's going to make it. This first arc is all about Dick regaining his identity as a crime fighter and how far he'll go for to do it.