by Chris Arrant
Recently, writer Warren Ellis made the script for the first issue of
Desolation Jones (DC/Wildstorm) available to journalists. Scheduled to be released in April 2005, it features full artwork by J.H. Williams III (
Promethea). It promises to be the first long-form comics work by Warren Ellis since the critically acclaimed
Transmetropolitan. After the harrowing 60 issues of
Transmetropolitan, Ellis swore off extended series of the ilk, instead focusing on shorter work such as
Red,
Global Frequency and limited stints on various Marvel comics.
A former British Intelligence MI6 agent, lead character Michael Jones is now a changed man due to a series of bizarre medical initiative dubbed "The Desolation Test". In the pitch document revealed by Rich Johnston's "Lying In The Gutters" column for ComicBookResources.com, the test is described as this:
They sealed him in a small room filled with TV screens. TV screens formed the entire surface area of all six walls. There was nothing else. They locked him into a chair that hung in the centre of a spherical arrangement of powered tracks, so that he would slowly, constantly be moved through 360º, viewing all the screens in turn. Intravenous feed and waste processing units were bolted into his body. The screens displayed documentary images of death, of murder, of horror 24 hours a day. For a year.
Body and mind are left forever changed, with unimaginable mental scars paired with a symbolic tattoo scrawled on his arm reading "DESOLATION 01". Discarded by the very program that kept him alive and employed for many years, Jones is still trying to make sense of his harrowing year in "The Desolation Test", and goes to the one place where he can make a difference: Los Angeles.
As you delve into the first issue, you're quickly put on alert by the arresting introduction of Jones through a hallucinogenic dream about his inception to the Test. Startled awake, he lurches into action prompted by an email containing a job offer. One of the reasons Jones relocated to Los Angeles is because it harbors and underground community of ex-spooks like himself, used up and cast off like so much refuse in the constantly changing world. He established himself as a private investigator for this underbelly of L.A. as a means to find himself again, to put his life back together. In a sea of unique individuals, his experiences in the Desolation Test make him unique unto himself and reminder of the atrocities that can be done.

As we're drawn into the life of this damaged man, you're quickly set upon by Jones' world. Warren Ellis' deft ability to create a wholly unique experience in the span of a single issue is amazing. Look to his previous first issues on
The Authority,
Planetary,
Red and
Transmetropolitan as an example of how he is able to weave complex characters, motivations, locale and dialogue to completely envelop the reader into the book. As we're introduced to various characters in the first issue, each serves to make the story more organic, more human, even with the jarring subject matter.
Clearly aimed a mature audience,
Desolation Jones #1 is an eye-opening expose on a secret culture existing on the fringe of "fringe culture. Influenced by his research, (as seen on his
website and the now defunct
DiePunyHumans.com), Ellis creates a wholly unique and unimaginable world that's inviting and uncomfortable at the same time. For those looking for a quick soundbite of what to expect, it's "Stanley Kubrick meets Raymond Chandler". Previous fans of Ellis' work on such titles as
Transmetropolitanand
Strange Kisses will quickly find
Desolation Jones in their hands starting this April.
Speaking to Newsarama last June in regards to his newly signed exclusive contract with DC, as well as his upcoming workload, Williams had this to say about
Desolation Jones:
”I’m really looking forward to
Desolation Jones. One, because it allows me to work on something with Mister Warren Ellis. He’s one of my top favorite writers and I really wanted work with him on a project, so I'm very happy that it has worked out. And two,
Desolation Jones is very different than
Promethea and that’s why I wanted to do it. It’s going to pull me in some directions that I really wanted to go visually - to try something new, which is always what I like to do. My work on
Promethea can attest to that.
”
Jones will be nothing like
Promethea visually, other than a spot here and there. But at the same time it will allow me to be just as extremely creative and as risk taking as I have always been. So it will be lots of fun for me as an artist to keep pushing those boundaries of what I'm capable of, very challenging. About the story itself...I really don't want to say much more about it than what Warren has on his website other than that it is very urban, dark, human, gritty, and can be pretty funny at times. I think it has the potential to be some of Warren's best work yet and that’s saying a lot.”