
All told, there have been better times to be Wonder Woman. Maybe like when she and Steve Trevor were jetting around and the pleasingly plump Etta was hanging around to, and no one every really put up that much of a fight, or maybe, at worse, there was some spanking.
The Wonder Woman of today is probably wishing she could go back to 1940s era worries about hair, dreamy Steve Trevor, and the rather wimpy villains, rather than have to deal with the events of this week’s issue #210 – “Stoned, part 5.”
As mentioned in our
chat with Ed Brubaker about this week’s
Captain America #1, we caught back up with Greg Rucka to talk about the events in this week’s issue of
Wonder Woman, with an eye on the implications of…oh, we better get this out of the way first…
SPOILER WARNING
There. Better. And if you want to catch up on our earlier interview with Rucka about
Wonder Woman, click back there.
Anyway, with an eye (no pun intended) on the implications of making a substantial change in a DC icon, that is, (and again – SPOILERS!), Wonder Woman, Diana, is now blind due to her battle with Medousa.
On with the show.
Newsarama: Issue #210 – this is what you’d been building to, both with this arc, and even farther back…
Greg Rucka: Yeah, and the idea actually came out of something that Phil Jimenez did. He had a wonderful story where Circe was trying to goad Diana into killing her in front of the world, and she did it by essentially calling her out. Then, through the use of Circe’s considerable magical powers, was broadcasting the battle around the world. Diana trumped her in the end by pointing out that she wasn’t the one working out of hate, and there was no reason to kill her. It was a wonderfully demonstrative moment.
That was part of it, and the other part was that Medousa came back, and came back with a real mad-on for Athena, but since it’s hard to go after a god, int eh great tradition of ancient Greece, you go after the god’s champion. Athena’s champion on earth is Wonder Woman, so Medousa, with her two other sisters – the immortal gorgons, Medousa is mortal – basically put into motion a plot that will lead to the death of Diana, as well as an adequate revenge on Athena.
In #210, Medousa kills someone very close to Diana, the child of one of the people who works for her at the embassy, and Diana goes pretty close to postal. Medousa then issues a formal challenge, and in the paradigm in which these characters exist, it is a challenge where Medousa invokes the right to a trial governed by the gods that have influence on them.
NRAMA: That’s something similar to what you did in
The Hiketeia, that there are certain things that
cannot be ignored when invoked. Diana couldn’t pass this off, could she?
GR: Not at all. Once ritual is invoked, ritual is everything.
Everything. It’s really less a question of whether or not you want to honor a ritual more than it is
the law. When these laws are broken…well, there’s a long string of Greek tragedies that show what happens when the laws of ritual are broken. The laws are broken – bad. Things. Happen. Bad, bad things, like Troy gets taken or Oedipus ends up tearing out his eyes. There’s a long list of instances where, if you break from ritual, your life turns down this path from which there is no return. The Greeks had an incredible sense of destiny and of fate, to such an extent that fate was a living concept in the form of the women who worked the loom and sewed the threads together. Their classical history is rich with examples that practically scream out, “Don’t screw with ritual!”
So – no, Diana didn’t really have a choice when Medousa invoked it.
NRAMA: So, professor, sidebar concluded, let’s get back to the story leading up to the battle…
GR: Right. At the end of #209, this boy, Martin Garibaldi has been turned into stone by Medousa. Diana attacks Medousa, and Medousa invokes the right of trial by combat to be governed over by Ares who is not one of Diana’s friends, being that he’s the god of conflict, if not war. So Diana willingly accepts the challenge, and Medousa picks the location, and this is where things get interesting. She picks Yankee Stadium, and she’s done that because Yankee Stadium, coincidentally enough, is wired for transmission very, very well. With Circe’s backing, they plan to broadcast the fight around the world.
So, Medousa’s ultimate goal is not only to kill Wonder Woman, but also to turn everybody watching this battle to stone. Since they’re broadcasting around the world, they’re figuring the world will have about 48 million more statues come the end of the day.
NRAMA: So the televised version of Medousa’s gaze hits you with the whammy as well?
GR: Right. One of the things we established is that while the reflection of the gaze does not turn you to stone, meeting her gaze as it’s “living,” meaning live, meaning live transmission, will do the job just as well. Look into her living gaze, and you’re turned to stone – that’s the curse Athena put on her.
NRAMA: But you weren’t worried about the readers of the comic book being turned into stone?
GR: It’s a comic, Matt.
NRAMA: Right, right…you
hope it’s not real…
GR: …
NRAMA: Alright, alright…so they have the fight…
GR: And this is a fight Diana went into weakened – she’s clearly not at the top of her game. Medousa’s serpents got a nice bite in on her, and as a result, Diana is hurting.
NRAMA: Moving to the endgame – there was only one way for Diana to win this…
GR: Right, and yes, we did take certain liberties. Nowhere in Greek mythology does it say that “if you look at Medousa in a live transmission, the power still works.” Sadly, nobody in ancient Greece wrote that story, so I’ve got nothing to back me up on it, but we think it makes sense. As for the battle with Diana, there are indications that she could compel you to look at her – and that’s what Medousa does in the end – she’s put a bad hit on Diana, and says, “Look at me.”
Diana knows that she will have to do it – and can only resist it for so long, does the only thing that is left – not just for her, but for the 40-odd million people that are now waiting to see how this will end.
The other thing to point out here is that the nature of the ritual is such that Ares seals off the stadium to preserve the integrity of the battle between the two combatants, and prevent any interference. So – no, even if Superman is watching this happen, he cannot get in. It comes down to what these two are doing. Nobody else can stop it.
Knowing what she does, that if she looks at Medousa and is turned to stone, Medousa is next going to look directly into the cameras and kill almost 50 million people, Diana does the only thing she can think of – she destroys her eyes and kills Medousa.
NRAMA: When you pitched this story to your editor on the book, Ivan Cohen, what was his reaction?
GR: I think his first reaction was “Holy shit,” but obviously, the second and third reactions allowed it to progress. We went about this very carefully – I talked toa lot of the writers that I really respect in the industry, and I wanted to hear what they thought about how best to do it. It was important that if we were going to do it, we’d do it in a way that was dramatic and appropriate. I have no interest in mutilating Wonder Woman for the sake of hurting her. It was very important that in this story the reason
she is doing this, and it is her choice to do this. Being blinded wasn’t something that came out of the blue – a bomb she was defusing blew up in her face. No. She chose to do this – this was her last move. There was no other move for her.
That was what we worked on most. We wanted to make that clear – this is one of the most defining moments for the character in our run thus far. As far as I’m concerned, Batman wouldn’t do it. Superman wouldn’t do it. It’s not an option they would see. I’m not saying they wouldn’t get out of it, but this wasn’t their story. But when Diana makes her decision, she does it without hesitation – “If this is the way I can win this fight, by blinding myself, then blinding myself is a fine option.” She gave her vision willingly. And so she did. This isn’t about what Medousa did to her – this is about what Diana was willing to do to herself to defeat Medousa.
NRAMA: Going back to DC – when there are changes made to characters, even ones that are…and I don’t think we’re surprising anyone by saying this is transitional, rather than permanent…
GR: Yeah, I think anybody who looks at this and thinks, “Oh dear lord, DC has let Rucka blind Diana forever and ever!” – is high.
NRAMA: Sure, but still – this is something along the lines of breaking Batman’s back, or, even though the world at large wasn’t sure of his return then, killing Superman – a fairly substantial change in the character. Were there more hoops for this storyline compared to a regular one?
GR: Yeah, definitely. When we hit this point – and this is just the first stop in a larger arc, and it should be. You don’t have a character do such a huge thing, and then just go, “Ah, forget it!” It now becomes a factor in, if not everything the character moves toward next, certainly a factor in the plots that come next.
Ivan and I presented this to Dan [Didio], and Dan presented it to Paul [Levitz], and Paul said, “You know, I think that you should do it, do it carefully, and don’t dishonor the character.” And that’s always the point. It’s an ironic thing to say when you’ve blinded Wonder Woman, but as I’ve said before, the goal is always to serve the characters as best as you can, and that’s what we’re trying to do.
NRAMA: So this isn’t a “the next day, Diana awoke to find that Athena had magically replaced her eyes as she slept!” type of thing?
GR: Oh, no. There’s no magic wand coming up.
NRAMA: But you know that Wonder Woman fans are going to say…
GR: “Purple Healing Ray!” They already have. But – as we’ll find out a wound inflicted by a god’s curse isn’t the same as someone burning themselves in the blacksmith shop. So I’ll see your Purple Healing Ray, and raise you a curse of Athena.
Seriously, one of the things we do establish is that these were demigods fighting here – they’re not mortals. They’re not human. The things they can do, and the damage they can take isn’t as simple as anything the Amazons have seen before. But they do try – we wheel the Purple Healing Ray out pretty quickly to address it, but in the end, the wound was delivered through a divine curse, then the wound is going to have to be removed by the divine.
NRAMA: So the battle explains the covers that have come out since the solicitation for #210 – you didn’t want to give away the surprise of the battle’s end?
GR: Yeah – we tried to do it as best we could. We tried to obscure her face when possible, but #213 is the first cover that shows her blindfolded. It wasn’t not so much to have a “bum-bum-bahhh!” surprise, but why spoil it? It’s part of the story.
NRAMA: So – implications – you have a cover coming up for issue #212 with Diana fighting the entire JLA. Is this an instance where they don’t think she has what it takes to be a member anymore?
GR: Yup – that’s exactly what happens. #211 is fallout from #210. #212 is about a week after, and one of the things that happens is Batman, more than anyone else in the League says, “Let’s see if you can still be a member of the League.” Diana’s of two minds about this – she resents the fact that they want to test her, and isn’t surprised that it’s Bruce who pushes for it.
#213 leads into events on Olympus, and then #214 is the second half of our Flash crossover. Then, from there, Diana, Ferdinand, and Wonder Girl – Cassie, end up having to undertake a quest for Athena, because things on Olympus have changed. It looks like Diana is embarking on this quest for one reason, but ultimately it will be revealed that she has embarked upon it for an entirely different one. And there will be some tension…obviously. But along with it a lot of excitement – trust me, what happened in #210 was just the start of something much bigger.