
Yeah -
Gotham Central. After some rumor, it was confirmed this week that Michael Lark, artist of
Gotham Central, DC’s police procedural series set in Gotham City, was leaving both the series and the company, moving over to Marvel for a new, two-year exclusive contract. He had formerly been on an exclusive contract with DC.
What does that mean for
Gotham Central? One of DC’s lower-selling monthlies, the series is critically acclaimed, and is reported to be one of the publisher’s trade success stories, that is, the trade paperback collections of
Central sell as well as – or better than – the monthly series, in part, justifying the monthly’s continued existence.
So – the short version,
Gotham Central is
not cancelled. Lark’s final issue is this week’s #25. As already solicited, Jason Alexander will illustrate issues #26 and #27, written by Ed Brubaker. Greg Rucka will write issues #28-#30 or #31, which will be illustrated by (regular series’ inker) Stefano Gaudiano. The new regular artist will then debut with #31 or #32, which will be the next joint storyline co-written by Rucka and Brubaker.
We caught up with Rucka to talk about the upcoming change in the series.
When Newsarama recently spoke with Rucka and Brubaker about the series, both writers went out of their way to mention how Lark is an integral part of the creative team, and that without him, it wouldn’t be “Gotham Central.”
So, forced to look at the series without Lark, how will things change?
“The tone, I don’t think is going to be changing at all,” Rucka said. “The look and the feel is as much dictated by the artist as the writer, and until we know who is going to be filling Michael’s very substantial shoes on the book, I don’t think that neither Ed nor I would be able to answer that effectively.”
That’s not to say that Lark’s decision to leave didn’t make an impact – not at all. “We had a very long talk when it became clear that Michael was going to leave, and there was nothing that could be done about it, and really, everybody went to great lengths to try to find a solution, but at the end of the day, it comes down to one factor more than anything else, which is Michael always has to do what is the best thing for his career and for his family. Nobody is ever going to hold that against him. Nobody.
“So it’s not a bitter thing, but it did throw Ed and I into a real tailspin for a while – our first thought for a while was, ‘Can we even continue?’ Both Ed and I, for a very long time felt that if we would ever lose Michael then that would probably mean it was time to hang up the book. The problem was, Michael leaving came at a very interesting time, as Ed and I were working on different storyarcs, and both of us were really happy with what we were able to do, and with what we were writing.
“We had a talk when it was clear that Michael was going to be going to Marvel, that neither of us, perhaps selfishly, wanted to give it up. Writing
Gotham Central for each of us is such a pleasure and such a joy, and it’s such an opportunity – it’s such a rare thing in mainstream comics to be able to do a book like this. I mean, Issue #25 comes out this Wednesday – we’ve done 25 issues of this thing. In today’s market, that’s really saying something.”
Along with Rucka and Brubaker not wanting to give the series up, DC also chimed in with its official wishes for the series. “DC made it clear that frankly, they didn’t want to see this book go away, and both Ed and I tended to believe them, because if they were looking for an excuse to cancel it, they’d just been handed one in a climate where any reason is a good enough reason to cancel a lower-selling book. And frankly, Michael leaving was a legitimate reason – I would have argued fiercely against I if they had decided that was going to be it when Michael left, but they would have had very good ground to stand on. But Matt Idelson made it clear that he felt the book should continue, and there was still a lot that we could do, and then Dan Didio made it very clear that he wanted the book to continue as well.
“So once Ed and I made peace with our ‘guilt’ of going on without Michael, we decided that we’d go for it. So that’s where we are now – we’re looking for the artist. There are people we’re considering, and I can’t name any names, but if there’s an artist out there who thinks they’d be brilliant on this book, I urge them to send samples to Matt Idleson at DC. That’s where we’re standing right now.”
Thing is, and this is what Idelson, Rucka, and Brubaker will have to deal with, is how closely the new artists’ style will match with Lark’s, who had, until now defined the look of
Gotham Central. Even until this point, fill-in artists on the series have strongly resembled Lark’s style and approach.
“It’s kind of a problem – you don’t want to take an artist and say, ‘We want you to be Michael Lark.’ That’s unfair to an artist. There are certain things that are easily replicated that Michael brought to the book, for instance, the sense of tone, the sort of noir/Cinema Verite feel. There are artists out there who do that and do that very well in their own stylistic fashion. That’s something that we’re more interested in pursuing rather than someone who will do a good Michael Lark impersonation. Nobody’s said this to me, but I’m sure there’s a wondering at DC that maybe one of the things that wasn’t helping the book was that the art style wasn’t an easily accessible one for a lot of people. There may be people out there who want nice, clean lines rather than that wonderful sense of texture that Michael brought to the page. So, that may be factoring in to the new artist selection as well.
“At the end of the day, and if we’re lucky, the decision is going to be a joint one between Ed, myself and Matt, and it will be someone we all agree on. I’m honestly less concerned with somebody who will be able to replicate the stylistic as much as finding someone who was as killed as Michael with the acting, and the subtleties that required. That’s a far harder thing, and both Ed and I really rely on an artist being able to convey the smaller emotions and the beats in this book. In their way, the most dramatic and most affecting things that happen in Gotham Central also happen to be the quietest and smallest things.
“It will be interesting to see what will happen – we’re all aware that this could really hurt the book, but at the same time, we all have faith in the core idea of the book being one that has merit, and lie I said, we love doing it, and it’s hard to give up doing something that you love.”