
As an issue, it’s a little over two months old – retailers angry at Jeff Smith for debuting
Bone: One Volume at Comic Con International: San Diego in August,
before they had their copies in the stores. Reaction from retailers ranged from feelings of anger to betrayal, with several claiming that they would see fewer sales in their own stores due to the 400 copies Smith sold at the con.
When it was announced that
One Volume was sold out, and
would be allocated, speculation flared up again, with more claims against Smith, claiming that he held back copies that were due to go to stores to sell at the convention. Retailers felt that they had carried the book in their shops for the ten-plus years it took to complete the story, and, now that it was completed, Smith had, by selling these 400 copies before they were available to retailers, turned his back on them – not offering them the chance to take the initial dips from the pot.
Obviously, Smith didn’t feel quite the same. It took some time, given his schedule, but we finally had a chance tot sit down with Smith and get his side of the issue.
Newsarama: First off, obviously, this is nothing new for you - how long have you been selling your products at conventions?
Jeff Smith: I took comics to the very first convention I went to. More to promote the books and get them into people’s hands than to make money. I needed to get the books seen back in those days
NRAMA: What went into the decision to sell the trade at this year’s SDCC? Was there any worry about debuting it there before it was available in stores?
JS: We did discuss it. Vijaya and I even talked it over with our Diamond representative. We all decided it would be best to ship the
Bone: One Volume Edition to comic shops at the same time as San Diego, but I still wanted to keep the books hidden until the Wednesday night preview at the convention booth.
NRAMA: Why did you want to debut it at your booth at the show?
JS: It’s simple - we were hopeful that the surprise of seeing the book would get people talking at the show and that would spread.
NRAMA: The reaction was pretty immediate from retailers – what was your initial response when you heard folks were pissed?
JS: Well, obviously, I didn’t want them to be pissed, but I also know the retailers only get riled up if they sense something hot. Don’t forget, Cartoon Books premiers a new
Bone collection at Comic-Con almost every year, and no one usually cares. When I heard grumbling, part of me knew we had a hit on our hands.
We sold 400 copies on the spot - at the convention! And now here we are, two months later and we’ve sold fifteen thousand paperbacks and counting. In two months! We can’t keep the thing in stock.
NRAMA: What’s your view of the brouhaha in simplest terms?
JS: In the simplest terms, every book I sell at the show is a book that wasn’t sold by a retailer. That’s a legitimate gripe. Again, we weren’t setting out to undercut our business partners; we were just trying to get people’s attention.
NRAMA: Have you seen any evidence in your orders after the show that it damaged the number of copies that were going to retailers?
JS: No. Initial orders were for 11 thousand. In two months, we’ve had reorders for 4 thousand more, and we’ve been to press three times. All the stores I’ve spoken to have sold out twice, and are waiting for more. And we’ll have more November 24th, by the way.
Everybody seems to be making out pretty well, and a lot of it has to do with the publicity we generated in San Diego, which resulted in reviews on nearly every internet comics site, as well as write ups in
Time, Publisher’s Weekly and
Entertainment Weekly.
NRAMA: What are the issues at hand here? It seems that there’s the right of the creator to do what they wish with their creation/product, but at the same time, retailers feel almost proprietary about comics in that they supported
Bone through the years…
JS: I think they should feel proprietary about
Bone. They helped make it succeed. Together, the retailers and Cartoon Books have made a lot of money on
Bone - - over and over again - - in various formats for more than a decade. That’s why when Scholastic began scheduling our 2005 national book tour, Vijaya and I said we want to include comic book stores. We love the direct market and we plan to stay a part of it. But we have to do what we have to do. And premiering our new books at shows is what we have to do. For publicity and to underwrite the expenses of the convention.
NRAMA: That said though, how important is convention selling to the smaller press and independent publishers such as yourself?
JS: Very important. An independent cartoonist or a small publisher can’t afford marketing on a scale anything like Marvel or DC. Believe it or not, indy publishers survive on narrower profit margins than comic shop owners. They have to spend their money wisely. They have to bring their book to a place where the whole industry can see it at once. And if you get lucky, like I did, or Top Shelf did with
Blankets, or the Flight Crew at Image did with
Flight, you can have the Buzz Book of the convention. If it works, then more books will be sold overall by everyone.
NRAMA: Have you personally spoken with any retailers who were so vocal about how you harmed them, and now they can’t trust you?
JS: Vijaya tried to get on the CBIA message board when we heard there was a thread going on, but we never heard back from the administrator. I’ve spoken with a few retailers, and usually when they find out we tried to have the
Bone: One Volume in their store at the same time as Comic-Con they are less pissed. I talked with Brian Hibbs the other day, and he’s still a little sore, but reasonable. He got me to admit that the retailers have a real beef, and I got him to admit that he’s sold every copy of the
One Volume he’s gotten into the store and has people waiting for more.
NRAMA: Has any resolution been worked out so that you don’t run into this type of problem again?
JS: Not yet, but I think the best thing we can do is keep the lines of communication open.