
One of DC’s long-term announcements finally shambles to life – or at least a form of life next week as
Toe Tags Featuring George Romero #1 hits stores. Written by Romero, the godfather of the current zombie resurgence and creator of
Night of the Living Dead, Dawn of the Dead and
Day of the Dead, as well as the currently in preproduction
Land of the Dead,
Toe Tags features interior art by Tommy Castillo and Rodney Ramos, with covers by Berni Wrightson.
While not specifically a tie-in, Romero’s story, the six-part “The Death of Death” is set in the same world as his undead films…in a different location. As the solicitation for the first issue reads: Overnight, the world has been turned upside down, and zombies rule the day! It's up to a college professor named Hoffman, his assistant Damien Cross, and his gal Judy to figure out exactly how and why the undead have taken over. But even if they do get to the bottom of the plague, is it too late to save the world?

We spoke with Romero from the Toronto production offices of
Land of the Dead for more on his story.
Getting involved was simple, the filmmaker said. “I got a phone call from [DC editor] Bob Schreck who said that they wanted to do some comic book projects that were written by film guys,” Romero said. “He asked if I would like to do one, and I immediately asked him when he needed it.
“I had an idea that was sort of bouncing around in my head, wrote up a treatment of it, they dug it, and that’s how it happened. I did the scripts, and I’m just knocked out by the final product – I’ve known Berni Wrightson for years, and am really flattered he’s doing the covers, and Tommy is just great on the interiors.”
The project was a joy for Romero who, while not an active comic collector, classifies himself as a regular comic book reader. “I love comics – I grew up on them,” Romero said. “For me, it all goes back to EC Comics – that’s what I was reading under the covers late at night. That’s the base of my affection, and people are always sending me new things to take a look at, and I enjoy them. I’m not as up on new things as I could be, though.”

As mentioned earlier, “The Death of Death” isn’t set near and of Romero’s three films, nor does it pull characters or situations from them, save one: the dead aren’t staying dead.
“There were a couple of collections of short stories that came out, called
Book of the Dead 1 and 2, and they were stories by various science fiction and horror authors that were happening in my world while the stuff was happening in Pittsburgh,” Romero explained. “Even though the movies have been focused on smaller regions and areas, my idea always has been that the dead are returning to life all around the world. Those particular collections of stories were written specifically to fit in with my conceit, and so finally, I got to the point of wanting to do one myself. So that’s where we are – this other stuff is happening in Pennsylvania in the movies, and there’s also this other stuff going on over here.
“Frankly, after
Resident Evil, and
28 Days Later, and all these other projects that are glomming onto the whole zombie, or dead coming back kick, I figured I could weigh in with a story of an adventure in a world where the dead are coming back to life. Of course I had written the script for
Land of the Dead, my fourth film in the series already, but again, ‘The Death of Death’ isn’t not connected to the movies directly, but it is happening while the movies are happening in Pittsburgh.”

The conceit in “The Death of Death” is basically just that – a scientist has advanced a formula that slows decay to a point now where, when someone dies, they don’t head right towards decaying, sloppy Romero-esque zombie. “So I’ve been thinking about what it would be like if the zombies develop mentally, and in
Toe Tags, the story is just that – what if somehow decay was inhibited? When someone dies now, they don’t go immediately to the drooling pus bucket stage. They’re still able to speak and think, and be active. That’s the biggest difference.
“From there, I thought it would be cool to have a hero in there, who was one of the dead, so that’s where that idea comes from in the comic, even though we had a hero zombie in
Day of the Dead, and there are a few in the new film as well.”

With a six-part story coming out over the next few months, and his fourth zombie film ready to go in front of the cameras in a few weeks, Romero is pragmatic about why we’re now seeing a return to the zombie genre in popular culture. “My suspicion is that it’s marketing,” the creator said. “ I mean, it’s become its own genre outside of horror over the years, and I’ve seen so many things over the years – stories and films created by films. But I think what we’re seeing now is a push that was started by videogames like
Resident Evil as well as
28 Days Later and some other projects. I just hope that by the time my film hits screens; this resurgence we’re seeing now isn’t over.
“It is nice to see though - with these films and games that I mentioned that are out there, even the remake of
Day of the Dead, it’s like Hollywood is saying that zombies are cool. Well heck, I’ve always known that.”