by Benjamin Ong Pang Kean
Star Trek: Nemesis was supposed to be the final journey for Captain Jean-Luc Picard and the crew of the
Next Generation.
Longtime lovebirds William Riker and Deanna Troi finally walked down the aisle as Picard, who was the best man, complained that everything around him was changing.
And what a change it was…
In the end, the android Data sacrificed himself to save his friends from new Reman Praetor Shinzon, revealed to be a Romulan clone of Picard.

However, as announced earlier, Tokyopop has acquired the rights to produce a new manga series based on Paramount’s
Star Trek property. The stories in the anthology, according to editor Mark Paniccia in
an earlier interview, will be mostly set in the
Next Generation time frame (2363 and after, for the hardcore – with 2363 being the year Captain Jean-Luc Picard took command of the Enterprise-D), and will run 200-250 pages. “Think
Animatrix for
Star Trek in manga form,” Paniccia said. “This is all new stuff. There might be a familiar face but this is a very unorthodox approach to the property. That's what will make this book stand out from previous
Star Trek comics. It will be published in our standard Tokyopop size.
“I've collected an eclectic group of writers and we're in currently in development. All art will be done in Japan but by who depends largely on schedules and availability.”
We caught up with Paniccia for an update as well as the manga publishing powerhouse’s spin on the property.
“A look and format you’ve never seen before,” Paniccia replied when asked what the manga version of the property will be like. “This will be an anthology featuring five stories that will clock in at around 50 pages each, give or take a page or ten. Stylistically, you’ll have a very Japanese looking/feeling book.
“Originally I was looking for stories from the far-flung corners of the Star Trek universe. Stories featuring favorite secondary, or all new characters. Paramount and I strongly felt it would help bypass certain approval hurdles. My original mandate was to find writers familiar with the Star Trek universe, but who had never written Star Trek before. The problem with this was that, in some cases, the stories had little or no Trek feel to them. I then searched for writers who had experience with Trek. And in some cases I felt they weren’t thinking out of the box enough. Eventually, our Japanese publishing partners felt strong enough that the stories needed main cast members that we modified one of the approved stories and took on some new pitches. So my focus changed at times depending on what I thought the definition of the book was. What we ended up with was a mix of first timers and a familiar name or two previously associated with Trek comics. We compromised with the Japan office and have two stories that feature the main cast.
“Licensed manga editor Jake Forbes and myself contributed to the on-staff portion of the anthology - two stories - and Jim Alexander, Chris Dows and Mike Barr provided the remaining three.
Elaborating more on the writers Paniccia said: “Mike Barr came up with this cool and creepy space spider story that features the main cast and Jake did a great holodeck story with Worf in Feudal Japan. Chris Dows — who co-wrote some DS9 stories for me with Colin Clayton back in the Malibu days — wrote this really fun Q story where he’s split into three personalities that can’t seem to get along in the midst of a galactic crisis. Scottish scribe Jim Alexander provided a kickin’ Klingon battle story and I wrote a little tale that takes place in my favorite alternate reality, the Mirror Universe.
Art-wise, Paniccia hoped the manga version of Star Trek would reflect the look and feel of the phenomenon that’s taken the publishing industry by storm. “We’re looking at a wide variety of Japanese artists, but it will be entirely up to whose model sheets get approved and have time in their schedule.”
Deep Space 9 is also set in the same era as
Next Generation, as is
Voyager. Will there be cameos from any of the crew members, and will there be separate storylines/arcs that solely focus on
DS9 and
Voyager? “No, we’re just going to see
Next Generation for this anthology,” the editor confirmed.
The first issue of the anthology is not yet on Tokyopop’s schedule.
concept art by Shin-Ichi Hiromoto of Stone, from the "Skin Deep" story by Jim Alexander.


