
As announced at San Diego’s Wildstorm panel, DC Comics, through Wildstorm, has acquired the rights to the IPC library of characters, with Alan and Leah Moore, John Reppion, Shane Oakley and Dave Gibbons already teamed to create the first miniseries,
Albion.
We spoke with DC’s VP of Sales & Marketing, Bob Wayne, and Wildstorm Executive Editor Scott Dunbier about how the whole deal worked out, and what got the ball rolling.
But before starting on the tale, no, you’re not in the Twilight Zone – the IPC characters are largely unknown outside of the UK and portions of Europe. “I don't think the awareness in the US and Canada is enough to even be called a cult,” Wayne said. “You're talking hardcore Anglophiles when you're talking about American readers who know that much about these characters.
“A couple of years ago, part of Time Warner acquired IPC, which is one of Britain's largest magazine publishers for the entire UK,” Wayne said. “When it was announced in the company newsletter telling us what's going on all around the Time Warner divisions, I went to Paul Levitz and told him that IPC had a bunch of comic books that they used to publish and still owned. I asked if it would be okay if I would try and figure out who we'd talk to at IPC. Paul said sure, to go ahead and do it the next time I was in England if I had a few minutes to spare.”
Wayne started asking around, but at the same time, two other parties had begun inquires as well. Andrew Sumner, who works on IPC magazines that have US distribution (
Loaded, Uncut and
Nuts) saw the same opportunity from his side that Wayne had seen from his, and started asking around. Meanwhile, Steve Moore and Alan Moore (no relation) had been talking about the IPC characters in light of the acquisition of the company by Time Warner, which got Alan talking to Dunbier.

From the Wayne-Sumner side first, then. “We were both seeking out the right guy to talk to who would know enough about the other guys' business and world to be able to have a conversation,” said the VP. “There were several people who pointed us in the right direction, and there are many people who still work at IPC who do work for us. So there were plenty of people that we knew in common, and it was just a matter of getting together and having some conversations and we started working through how this stuff might go, and how we might work on things.
“Andrew and I finally met up and did as much as we could, and then turned it over to the lawyers on DC's side and the solicitors on IPC's side. We both ended up in Las Vegas on the same weekend - him on vacation, me there for the Diamond Retailer Summit, so we met poolside at Mandalay Bay, going hours and hours with our umbrella drinks, working out every detail...or at least meeting as long as the guy kept bringing more drinks. The most recent meeting we had was in London, prior to the Bristol Convention. We met with some of the people on the IPC team, and brought Scott Dunbier along.”
Dunbier had been receiving more and more anxious word from Moore about the characters (well, as anxious as Moore gets at least) – after all, these were characters Moore had been reading before he’d ever seen his first American comic.
“To British comic creators, this really is the equivalent of DC’s silver Age characters – their versions of Green Lantern, the Flash, Hawkman and all of that,” Dunbier said. “If you talk about the original artist on
Steel Claw, Jesus Blasco, he’s spoken about in hushed tones – everyone talks about whether or not his art was better on
Steel Claw or on
Return of the Claw.

“There are so many different characters like that – I’m a novice at it, and can be just amazed at how much material is out there. I never read the books as a fan, but the British creators, like Alan and Dave, just love those characters, and this represents a very, very exciting opportunity for them.”
For DC, the deal is a licensing one, similar, as Dunbier explained it, to another recnt license published by Wildstorm. “Think in terms of Thundercats,” the editor said. “Warner Brothers owns Thundercats. We license Thundercats from a different branch, so we’re licensing the IPC characters from a different branch of Time Warner.”
The characters are a somewhat diverse crew, made up of the likes of Steel Claw, who, following an accident is invisible, save for his claw; the Spider, a criminal turned crime fighter; Dolmann, who employs a virtual army of robotic puppets to do his bidding; Doctor Sin, a mystical expert; and Tim Kelly, a young boy given a mystic gem which grants him wondrous powers.
For more on the characters, check
here.
As a side note, Moore did have a chance to write some of the IPC characters…in a way. Given their popularity with British creators, IPC characters didn’t really stay dead after their titles were no longer published – they…or wink-nudge versions of them showed up here and there in British titles. For Moore, several of the IPC heroes were cannon fodder for Fury, the extra-dimensional creature created by Moore and Alan Davis in the pages of
Captain Britain who mowed down heroes on every world – including those similar to some of the IPC heroes (in the case of Steel Claw, Iron Tallon) - before being stopped. Grant Morrison also included a Steel Claw analog in the pages of
Zenith Phase Three.
While some reprints of original IPC material showed up in the US in the ‘80s, those curious as to the early stories featuring the characters will be able to check them out in reprint volumes planned by Titan for late this year or early next, prior to the release of
Albion #1.

For Moore, Wayne admitted that, in a way, this is another chance for the creator to start from the ground level and build up an entire universe, as he’s done before with worlds seen in
Watchmen and the America’s Best Comics line.
“I think one of the things that seemed to appeal to Alan - he was a big fan of that generation of characters, and now he's going to be able to have the chance to do the next generation's interpretation of them, along with the next generation of Alan Moore, literally,” Wayne said. “So there's a nice symmetry on that. I've been a huge fan of Alan's comics since his
Warrior days, and of another book by Alan, writing some classic characters - I'm not tired of that yet.”
According to Dunbier,
Albion (with interiors by Oakley and covers by Gibbons) is targeted for a summer 2005 release. “Alan did a very inventive plot for the miniseries that the IPC group was very pleased with, and we’re going to move ahead from there,” Dunbier said. “Alan’s story will bring things up to date – it will acknowledge things that happened in the past, and bring it to the modern day.”
The miniseries will be one story, rather than an anthology, Dunbier explained, and while Alan has the lead, the final work will very much be a collaboration. “When we first started talking about this, from the very beginning, Alan wanted to write this with Leah,” Dunbier said. “She’s writing
Wild Girl for us with John Reppion, and she’ll be working with John on this as well. Basically, it will be Leah, John, and Alan, and the different camps with be throwing ideas back and forth and working on it all. From talking to Alan, it seems like this will be a much closer collaboration than some of his other collaborations have been. That’s my impression now, but we’ll see what happens.”
In closing, Wayne said that the end result of the DC-IPC team up will be something unique – a chance to experience established characters for the first times at the hands of a master storyteller. ”These are characters that, to Americans, you've never seen before. These could be entirely whole cloth, if you didn't already know that they existed. I feel very comfortable saying that with Alan writing, you will not have had to have read the earlier stories to appreciate what's going on. He has more than enough skill to tell a story that way.”