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MattBrady
06-16-2005, 06:41 AM
<img src="http://www.newsarama.com/Wildstorm/TopTen/TTBFP01.jpg" width="175" height="264" border="0" align="right"> by Benjamin Ong Pang Kean

Think of him as the (slightly) grizzled vet who steps up to the plate now and again to show the kids he can still swat ‘em out of the park.

When it was announced last year that he’s signed a two-year exclusive with DC Comics (http://www.newsarama.com/forums/showthread.php?s=&threadid=10281), he said, “I have had many great experiences in 20-plus years in this business, and most have happened while working for DC Comics. I'm thrilled to be working exclusively for DC, with editors like Scott Dunbier, Mike Carlin, Peter Tomasi and others over the next two years, doing a job I love."

With 25 years of experience under his creative belt, Ordway is “a tremendous talent whose artistic style is in the best tradition of classic Golden Age illustrators - but without ever feeling dated," Scott Dunbier, Executive Editor – WildStorm said. "I look forward to continuing our working relationship.”

Ordway got his first big break in comics in 1980 when he inked a Carmine Infantino-penciled Mystery in Space story and there was no turning back since. Over the years, he’s inked guys like Joe Staton, Bob Hall, Rich Buckler and Adrian Gonzales until he started penciling All-Star Squadron with issue #19. And he’s worked on Superman, Wonder Woman, JLA, JSA, The Power of Shazam!, The Avengers, Tom Strong, Just Imagine Stan Lee With Jerry Ordway Creating JLA and the Julie Schwartz tribute book, DC Comics Presents: Mystery In Space (with Grant Morrison).

<a href="http://www.newsarama.com/Wildstorm/TopTen/TTBFP01_1.jpg" target="_blank"><img src="http://www.newsarama.com/Wildstorm/TopTen/TTBFP01_1_t.jpg" width="165" height="236" border="0" align="left"></a>In the August-debuting five-issue Top 10: Beyond The Farthest Precinct sequel to Alan Moore and Gene Ha’s Top 10 series, Ordway is teamed up with sci-fi writer Paul Di Filippo. The mini catches up with the officers of Precinct 10 (Toy Box, Kemlo Caesar, Smax, King Peacock, Joe Pi and others) five years after the events of the Smax mini-series.

We caught up with Ordway for a chat about Top 10: Beyond The Farthest Precinct, the ABC line, the impending Crisis, Marv Wolfman and George Perez, and more.

Newsarama: What brings you to Top Ten: Beyond The Farthest Precinct?

Jerry Ordway: Editor Scott Dunbier thought I'd be a good fit, as I've drawn just about every superhero in DC and Marvel's stable, and Top 10 is set on a world of superheroes. This is also a project that requires a knowledge of superhero lore, and an attention to detail, both of which I possess.

NRAMA: Well, you’re not new to the Alan Moore’s America’s Best Comics line, having drawn Tom Strong and Terrific Tales. How big of a fan are you of Moore’s ABC?

JO: I love the ABC line. I thought Tom Strong was my favorite, but after spending a couple of months studying Top 10 in prep for drawing, I'm not so sure anymore. With T10, rereading always reveals little in-jokes I missed the first time around.

NRAMA: What’re some of your favorite ABC titles?

JO: Well they are all really good, and very different animals, so to speak. Promethea is like a tantric Wonder Woman/Doctor Strange, while Tom Strong manages to evoke Doc Savage and the Fantastic Four.

NRAMA: How did you get yourself drawn to the ABC world in the first place? What was your first ABC work?

JO: Well, Scott Dunbier was a fan of my work, and asked me to draw a portion of Tom Strong #5 or 6, and also the cover. That was my first working with Alan Moore, though I had been reading his work since I discovered Marvelman.

NRAMA: In an earlier interview with writer Paul Di Filippo (http://www.newsarama.com/forums/showthread.php?s=&threadid=32984), he said that working with you have been “immensely rewarding. Jerry is a masterful artist, and I'm relying on him to flesh out my visions with his typical style and skill.” How much of Alan and Gene Ha’s world are you recreating, and how are you putting your own creative touches to Paul’s script?

<a href="http://www.newsarama.com/Wildstorm/TopTen/TTBFP01_2_3.jpg" target="_blank"><img src="http://www.newsarama.com/Wildstorm/TopTen/TTBFP01_2_3_t.jpg" width="330" height="253" border="0" align="right"></a> JO: I think Paul is really talented, and puts it all there in the scripts. I have added some in-jokes of my own, here and there, but most of it is already specified by Paul, who has a great store of comic book knowledge in his head. As the artist, I sometimes make little changes in the panel layouts when I see the staging a bit differently from Paul, but that's part of my job. As for adding to Top 10, we have several new cops at the precinct, and we will be exploring a few spots in Neopolis that Alan and Gene never got to in their original series, I believe.

NRAMA: What're some of your favorite bits from the earlier Top 10 stories?

JO: I think my favorite bit in the whole series is the way Joe Pi, the robot, talked the Superman-esque guy into killing himself. That whole issue was great. That was late in the series, and by that time Alan and Gene were cooking! A runner-up was issue #8, with the teleporter accident. That one was really touching and beautifully handled.

NRAMA: Which characters are you having the most fun drawing? And why is/are he/she/they such joy to work on?

JO: Toybox and Smax are fun, but Gene Ha put such a distinctive stamp on all of them. Shock Headed Peter is really fun because he has such comedic potential. The new characters Paul wrote in are my own, visually, so they already fit like a glove. The mermaid is pretty sexy.

NRAMA: While we’ve talked to Paul, what more are you able to tell us about the sequel to Top 10? What’s in store for fans of the series in Season 2?

JO: Well, Paul has a nice angle on the robots and mechanical beings who inhabit Neopolis, which figures a lot in the series. There's a lot of human drama as well. I really don't want to give anything away, except to say that fans of the original should have a good time with our story. It's always intimidating, trying to follow Alan or Gene, but we have their blessing and guidance, so it's not like we're trying to pass off our cheap knock-off of the original behind anyone's back. This is an approved project, so we must be doing something right, right?

<a href="http://www.newsarama.com/Wildstorm/TopTen/TTBFP01_4.jpg" target="_blank"><img src="http://www.newsarama.com/Wildstorm/TopTen/TTBFP01_4_t.jpg" width="165" height="251" border="0" align="left"></a> NRAMA: Some of the highlights from the first Top 10 maxi-series were homages to the entire superhero world and spoofs on other comic book characters/events such as appearances by a rodent dressed as X-Men's Wolverine (#3), the Batmobile (#5), Astro Boy, the Legion of Super-Heroes (#8), Wonder Woman (in issue #9), The Authority, Buffy the Vampire Slayer, the Powerpuff Girls (#11) and a host of other characters and stuff…

JO: Well, there are quite a few in all the scripts, but I actually had more than I could fit in, in the first issue. Paul has set up a ton of them, and I am adding them on my own where they fit. To give it away spoils the fun though. I will tease with the sequence in issue one that takes place in the Top 10 Evidence room. You won't believe what's piled on the shelves in there!

NRAMA: Reflecting on your career as a creator, you were part of the creative team that brought us one of DC’s (and the industry’s) biggest events ever: Crisis on Infinite Earths some 20 years ago. Looking back at Crisis, what are your thoughts on this mega-crossover event?

JO: It was a solid piece of work which has held up pretty well. I can't speak for Marv [Wolfman], because I was not part of the story process on Crisis, but George [Perez] just poured his love of the DC characters all over those pages, and I am proud to have been able to add my small contribution to the final product. That was the Marv and George show all the way!

NRAMA: Later this year, DC celebrates the anniversary with the much-anticipated sequel to Crisis. You played a role in the original, inking George Perez for a number of the issues. Are you in any way involved with the upcoming crisis?

JO: Well, I wish I was, but no. I'm thrilled with my workload at Wildstorm, but I miss being an active part in the DCU. I have plenty of stories to tell, and to draw, but I haven't been in any inner circle of creators there for a few years. It's a bit like I'm from the Class of 1988, only brought back for high school reunions, y'know? I can't complain though, as I had my day in the sun, and it was good while it lasted.

NRAMA: That said, George Perez is now exclusive to DC for five years. Any thoughts of working together with him again on a project?

JO: Well, I am not sure my eyes would be up to the task of inking something like Crisis again. George is a terrific guy as well as a talented one, so I would love to do something with him. When he was in our Superman rotation, back in the age of dinosaurs, he was an enthusiastic collaborator, and we did some good stories together. As a fan, I'm thrilled that he's back at DC.

NRAMA: It was announced in March of last year that you’ve signed a two-year exclusive contract with DC. How has this relationship been? Have you been able to draw your favorite characters? What could fans look forward from you next?

JO: After 25 years in comics, it was great to get a 2-year exclusive. I started with DC in 1980, and have made my mark there, on many features. As for post-Top 10, I have nothing concrete, but will no doubt be kept busy.

NRAMA: Okay, lastly, for those who're still not convinced, give us ten reasons to check out your and Di Filippo's sequel to Moore and Ha's Top 10?

JO: #10 - it will have 22 pages
#9 - it'll be in color
#8 - it's printed on real paper
#7 - we have Todd Klein lettering
#6 - one of the characters is a topless mermaid (woo-hoo!)
#5 - another character has a TV for a head! (gets DirecTV!)
#4 - Alan Moore and Gene Ha have approved!
#3 - both Warren Ellis and Harlan Ellison are huge fans of Paul's writing!
#2 - I am inking my own pencils on this one!
And the number one reason is--It won't suck! (or blow for that matter!)

Top 10: Beyond The Farthest Precinct #1[/b], 32 pages, $2.99, is scheduled to be in stores on August 17.

al_capone
06-16-2005, 07:04 AM
The original 'Top Ten' was one of the best comics I've ever had the pleasure to read. When it comes to Alan Moore's newer stuff it's definitely my favourite by a long-shot (not that his other ABC comics were bad, mind you). I just hope that this sequal manages to live up to it without Alan Moore's brilliant hand mastering it.

Duke Jupiter
06-16-2005, 07:25 AM
Hopefully, after some of these upcoming Wildstorm projects, the DCU will welcome Da Ordster with open arms like it should be doing. The period that he was a major creative part of the Superman books is by far the best period
they have seen in modern times.

- DJ

Fazhoul
06-16-2005, 08:36 AM
How in the world can I pass up a comic book that has T-Rex cops arresting the "Beagle Boys"? :)

Michael C Lorah
06-16-2005, 09:51 AM
Jerry Ordway is a fantastic creator. A criminally under-rated storyteller and illustrator, and a rock solid writer. He remains one of my favorite Superman authors, and his artwork has never disappointed.

I was wary of a Top 10 sequel when it was announced, but with Jerry onboard to help bring Paul's ideas to the comic page, I have a good feeling about this series!

samnoir
06-16-2005, 10:14 AM
I don't envy anyone coming in on a book following Alan Moore, but the preview pages look like they will continue to Mad-style gags in the background. Ordway's work here kind of remind me of John Severin's work on Cracked (which I love).

I love the Splash Page and Disney's THE BEAGLE BOYS!!

http://www.corante.com/copyfight/archives/beagle-boys.gif

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kalorama
06-16-2005, 12:24 PM
I read the first issue of Top 10 and wasn't really taken with. I haven't looked back since. But I'll definitely be checking this out. Ordway is one of the creators whose work I'll make a point of checking out no matter what the book.

PaxHouse
06-16-2005, 12:57 PM
I knew those "crooks" looked familiar....:rolleyes: :D

And I loved who Jerry drew, flying the 'Credits'/Banner...!!;) :D

Rorshoq
06-16-2005, 01:53 PM
Originally posted by kalorama
I read the first issue of Top 10 and wasn't really taken with. I haven't looked back since. But I'll definitely be checking this out. Ordway is one of the creators whose work I'll make a point of checking out no matter what the book.

It's too bad, like others posting, TOP TEN was one of my favorite comics ever. With Alan Moore, you have to be a bit patient, even when the stories appear to go nowhere at first. The reason? They always go SOMEWHERE, and its usually a great place to go and an entertaining ride. I highly recommend picking up the first series...just the last issue is worth it.
Also like others, I will look upon any non-Moore sequels with a wary eye. I will be very harsh on those that follow his stint...but also hoping that it will live up to at least half the expectation. I hope that this cast of characters will live on, and not be destroyed by shoddy work...
I'm hopeful...

OcCaM
06-16-2005, 02:26 PM
All-Star Squadron w/Ordway is THE only All-Star book I want to see, not more supes and bat crap!

On to topic...

No worries about the creative team doing this, even if it's not quite as good as the original.

No, my dilemma is whether I should wait for the HC or not. Normally, I buy books of DC that I really want in single, not waiting for the tpb's, since they take forever. Esp. when the HC gets released first. In THIS case though, I don't mind the HC.

OcCaM
06-16-2005, 02:34 PM
Originally posted by PaxHouse
I knew those "crooks" looked familiar....:rolleyes: :D

And I loved who Jerry drew, flying the 'Credits'/Banner...!!;) :D

Gosh it was so small on my monitor I missed it. Gonna be a beagle love-fest in this book eh? :)

Fazhoul
06-16-2005, 04:20 PM
There's also Lockjaw from the Inhumans in the lower left corner of the picnic two-page spread. And is that supposed to be Toybox's father standing behind her? I thought that he was old and feeble-minded. He reminds me of the Winslow Schott version of the Superman villain Toyman.

Charlie Hustle
06-16-2005, 09:07 PM
For some reason like a lot of Moore's work it had some interesting ideas but didn't do anything for me. I think i only bought one issue of the older stuff, same with league, promethea etc.

Ectocooler
06-16-2005, 09:34 PM
I bought issue 6 simply for the cover... lol Santa Clause, you're so funny.

http://www.mycomicshop.com/megastore/viewitem.cfm?itemID=47600&ItemType=B

Hannibal Tabu
06-16-2005, 09:42 PM
I'm there. No questions asked.

Having a legendary talent like Ordway on board only makes my decision easier.

MadLoveShogun
06-17-2005, 12:00 AM
Ordways run on POWER OF SHAZAM was probably one of the most underrated superhero books of the 90s.

Drewsander
06-17-2005, 07:00 AM
Originally posted by Charlie Hustle
For some reason like a lot of Moore's work it had some interesting ideas but didn't do anything for me. I think i only bought one issue of the older stuff, same with league, promethea etc.

I know what you mean. Alan Moore is a legend, but every time I browse one of his ABC line I‘m left with the distinct impression that his best days could all be behind him. Top 10 book one left me cold, as did Supreme. I found nothing there that any other competent writer couldn’t have churned out. I love the vintage Moore, Marvelman, V for Vendetta, the mini epic Marvel Universe naming Jaspers Warp Saga (there was no such thing as Earth 616 before the Warp Saga) but Moore lost the spark somewhere. I have a deeply held belief that the lacklustre finale to V for Vendetta is purely down to the fact that Moore didn’t finish the tale when he originally intended. By the time DC took up the option on V Moore was out of his kickass ‘First Phase’ and well into the more tedious (but beautifully written) phase that produced such works as Miracleman book 3, The League… and the final chapters of V.

This is, of course, blasphemy (Moore wrote WATCHMEN for heavens sake!), so much so that only recently have I seen anyone dare to voice dissent in the face of the 'Moore can do no wrong' lobby. A roasting usually follows, needless to say.

By the way, I love Watchmen. I’ve studied it. I’ve written an essay based on the narrative innovations within the work. So, for those of you who love misunderstanding the point of people’s posts, I’m not saying Watchmen isn’t great.

WATCHMEN IS A GREAT COMIC BOOK.

There. So don’t waste time accusing me of saying the opposite. I didn’t.

Drewsander
06-17-2005, 08:12 AM
...and Ordway's art is always solid.

NightRiver
06-17-2005, 03:56 PM
Oh...my...god.

Those Tyranosaurs have a holsters and hats. If thats not funny, i dont know what it.

Koben Kelly
06-17-2005, 11:58 PM
Being the Moore-worshipping deviant that I am, I simply can not understand those who claim that Top 10 or other works by Moore have left them cold. Granted, his style has changed, evolved, and matured over the years. This can be said about many writers who have spent decades on their craft. I would be more receptive to the negative notions if he had gone from writing Watchmen to writing the adventures of the Teletubbies or some other completely obscure subject. I don't doubt anyone's veracity in the manner. If someone states their dissatisfaction with a comic series, I believe them. As a minor writer myself, I can understand that writing in the same style, or about the same subject, can become boring and tiresome after a while. At least the man has a talent for being prolific in many ways, with a variety of flavor in his words. Now, I do not claim to be a fan of everything he does. His spoken word performances do "leave me cold." Let's also not forget Badrock/Violater (gag). On the other hand, I am rarely unsatisfied with his comics work. Saga of the Swamp Thing, Watchmen, Superman, Supreme, LOEG, Promethea, Top 10, Tom Strong, Green Lantern (how could anyone not love the F-sharp Bell?), etc. In our comics culture, it is quite uncommon to maintain such high quality work for so many years, on so many different projects. I also highly suggest that anyone who has not read his Twilight of the Gods (his own version of Kingdom Come) proposal, which is a decently long read, to do so. It is still easily tracked down on the internet, somewhere, I'm sure. To sum it up, I don't feel that his new work isn't up to par. It's just different.

I am looking forward to the new Top 10 series. I'm sure that if Alan has given his approval to the new creative team, which he rarely gives, everything is okay. Personally, I won't be reading this as a sequel to the first volume. To me, it will be much easier to enjoy as a new series with characters that quite resemble those from Alan Moore and Gene Ha's Top 10.

Thanks
---Koben:cool:

beta-ray
06-18-2005, 12:23 AM
Of all the ABC stuff, I loved Top Ten the best. I will get this.

Charlie Hustle
06-18-2005, 04:41 PM
Originally posted by Koben Kelly
[B]Being the Moore-worshipping deviant that I am, I simply can not understand those who claim that Top 10 or other works by Moore have left them cold.

I would be more receptive to the negative notions if he had gone from writing Watchmen to writing the adventures of the Teletubbies or some other completely obscure subject.

you'll find i don't hold an artist or writer to the 'do something great again' standard. It just doesn't make sense to do that to people as if they're superhuman or something. Reading his work for the ABC line separately I just didn't htink it was all that special, and i feel a lot of the reviews of how amazing books like Tom Strong were came mostly from his name. If Alan Moore wrote 'The Goon' people would give him credit for again reinventing comics as we know it or some other absurd claim. As Drewsander said, standing on its own merit the recent stuff just wasn't that interesting. I honestly bought the Tom Strong stuff mostly for Sprouse's artwork . I also (sacrilege i know) get tired of the stiffness I think he's imposing on his artists when he goes to the 'repeat panels' and 'cram 400 people into a shot' panels. I thought top 10 was an example of this where it messes up the pacing. I'm not saying he's terrible just I don't find him all that interesting to read.


it's kind of the same reaction I had to transmetropolitan but to an even less enthusiastic extent. I remember everybody going insane as if Ellis had reinvented the medium itself, and all I could think was 'isn't this just a futuristic version of Hunter S. Thompson with the same disembowler gun jokes over and over again?'. The thing is i still was entertained by the series, but like Moore's stuff, the hype just kind of confused me. When people were hyping Kabuki by David Mack when it was still a black and white comic I kept saying 'isn't this just V for Vendetta in an asian setting?'. lol.

I think as much as people talk about these guys writing 'different' stuff you'll find also that they seem to hold a lot of their same social and political leanings throughout their careers. So evolving to me is a relative term. Unlike most people if a guy does the exact same thing he always has and still entertains me i have no problems with it. same if they don't, i judge their work as standalone unless it's a character they've visited before. Instead of comparing top ten to Moore's earlier work if we were to compare it to anything it'd probably be Astro City, which i enjoyed a lot more.

but i don't begrudge anybody liking moore's recent work by any stretch of the imagination, so i'm glad you still like it.

Koben Kelly
06-18-2005, 08:24 PM
Originally posted by Charlie Hustle
I think as much as people talk about these guys writing 'different' stuff you'll find also that they seem to hold a lot of their same social and political leanings throughout their careers. So evolving to me is a relative term.

My use of "evolving" was not in reference to his opinions or subject matter. It was in reference to his STYLE of writing. Perhaps, this is what you don't care for.

Charlie, I do appreciate what you had to say. I do believe that, to you, his newer work is no BFD. I would like you to believe that a great portion of his fanbase is not praising him because of who he is, but for what he writes.

Thanks
---Koben