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MattBrady
04-06-2003, 11:04 AM
<img src="http://www.newsarama.com/sangiacomo/Curt.jpg" width="200" height="259" align="right" border="0">by Mike Sangiacomo

I didn’t realize how much I missed Curt Swan until I read Curt Swan, A Life In Comics, by Eddy Zeno (Vanguard, $34.95). Curt was the Superman artist for 30 years, his clean-cut image of Superman is the one most people associate with the Man of Steel. He was a comic artist for 50 years until his death in 1996 of a heart attack.

Swan drew hundreds of DC comics beginning with a Boy Commandos story in 1945. He drew comics until his death, one even coming out posthumously.

His characters were skillfully drawn, anatomically correct. He didn’t need to draw Superman with monstrous muscles to show his strength, the power was shown in a dozen more subtle ways. His stint on Superman followed that of another great artist, Wayne Boring, who was cruelly put out to pasture in the mid-60s by an indifferent industry.

A Life In Comics includes interviews with the greats of the industry, all sharing their memories of the quiet Swan. The words of Alan Moore, Joe Kubert, Julius Schwartz, Al Williamson, Carmine Infantino and many others were used to help define the man behind the cape.

But the true joy of the book is the art, including 14 pages of some of the greatest moments of Superman’s career. Arlen Schumer put together wonderful double-page montages of Superman with his friends and foes. Zemo’s breezy style, punctuated by art on every page, makes the Curt Swan book a thing of wonder.

<img src="http://www.newsarama.com/sangiacomo/thunder2.jpg" width="235" height="366" align="left" border="0">THUNDER’S FUTURE-PAST

A week after the <a href="http://www.newsarama.com/ubb/ultimatebb.php?ubb=get_topic;f=3;t=00003 1" target="_blank"> article</a> about the long-awaited return of the T.H.U.N.D.E.R. Agents I happen to be in a used book store in Cleveland.

It’s great place, full of dusty, old volumes.

It has a big, sloppy box of comics that I rarely look twice at. It’s usually beat-up Marvel and Image comics from the past 10 years. But this time, a familiar cover caught my eye, the one and only issue of T.H.U.N.D.E.R. #1 from Solson Publications. It was a very cool T.H.U.N.D.E.R. comic, and possibly the rarest of them all. It’s not the most valuable, but try to find it.

The 1987 comic was set sometime around 2010, a time after a conservative government has suspended civil liberties and closed the expensive T.H.U.N.D.E.R. project. Thunder Mountain was closed down and an addled android called NoMan wanders the halls, wondering what happened to his old friends.

When a young girl is chased inside by bad guys, she runs into NoMan and identifies herself as Lyn Brown. NoMan thinks she said she was Len Brown, the real name of Dynamo, and leads her to the treasure room where the super-strength inducing Dynamo belt is kept along with a spare suit.

She puts it on, turns the dial and there is a familiar crackle as the belt energizes and...

That’s all. The issue ends there, promising to continue the story in the next. But there was no next issue. No more Solson in fact, as the tiny company run by Rich Buckler and Gary Brodsky faded away. The writer-artist team of Michael Sawyer, James Lyle and Ron Wilber never had a chance to finish their tale of T.H.U.N.D.E.R. future.

Here’s hoping that crackle comes back in June when DC gives T.H.U.N.D.E.R. a go.

Michael Sangiacomo is a statewide news reporter for the Plain Dealer newspaper in Cleveland, Ohio. His syndicated "Journey Into Comics" weekly column on the state of the comic book business, can be found in newspapers and at the Newsarama website. His monthly comic book column appears the first Saturday of each month in the Plain Dealer Arts page and is syndicated through Newhouse Newspapers. He also writes a twice-monthly audiobooks review column covering crime thrillers and mysteries that can be seen at <a href="http://www.audiobookstoday.com" target="_blank">www.audiobookstoday.com</a>

dogisred
04-06-2003, 11:56 AM
I have always admired Swan's work...he is still the definitive Superman artist to me (and many others).

On the Thunder topic...I had the mispleasure of reading many of the independent comics in the 80's and 90's and there is an extensive list of the comics that started and never finished. Even when big name creators were involved it still did not mean anything. The biggest company I had a problem with was Continuity. I loved nearly everything they put out...from Armor to CyberRad to Megalith to Ms. Mystic to others I can't remember...I bought nearly everything...and was disappointed more times than not because the books didn't come out on time and the company went under. I mean...Neal Adams' name couldn't carry it? It started when he was still a HUGE name, not now when many comic readers probably couldn't tell you how he was or what he did.

Rich Buckler was another name that used to do a lot in the independent field, most of it is nice, but he had the same problem...small publishers that couldn't continue publishing and the stories got lost in the shuffle. This is the sad part of comic publishers...it all reminds me of Toy Story 2 when the tale of Woody, Jesse and Stinky Pete did not conclude. Sniff, sniff. (there was also an episode of Amazing Tales that had aliens come to Earth and pay the original actors to complete a TV series that was prematurely cancelled...I think we've all been in that predicament and wanted to do that).

jawaplumber
04-06-2003, 01:53 PM
Curt Swan is one of my all-time favorite artists, and I say that as someone who only has followed his work via reprints. I was either not alive or not currently following any of the comics he worked on. However, his Superman stands as one I hold most fondly in my heart. It's pure, charming, and undiluted. It may have come long after his tremendous body of Superman work, but there couldn't have been a better choice than Curt to draw Alan Moore's "Whatever Happened To The Man Of Tomorrow?" I also love his Legion stuff. He may not have been flashy by today's standards, but the simple fact is that Curt Swan understood and harnessed the dynamics of super-hero storytelling, and some of today's artists could stand to learn from him.

THUNDER Agents, I have very little to say about. The new DC series will be my introduction to the characters, and I hope it's successful as it seems there are a lot of folks who'll be made quite happy if it is :)

Daniel Harvey
04-06-2003, 03:53 PM
How cool would it have been to have seen Curt Swan work on a Tom Strong story?

OM
04-06-2003, 04:16 PM
</font><blockquote><font size="1" face="Verdana, Helvetica, sans-serif">quote:</font><hr /><font size="2" face="Verdana, Helvetica, sans-serif">Originally posted by Daniel Harvey:
<strong>How cool would it have been to have seen Curt Swan work on a Tom Strong story?</strong></font><hr /></blockquote><font size="2" face="Verdana, Helvetica, sans-serif">...Or Swan doing a Dynamo one-shot.

Allen Berrebbi
04-06-2003, 06:21 PM
Even better, he was scheduled to do a Supreme story when Alan Moore was writing it but he died. That would have been awesome.

shakey
04-06-2003, 11:40 PM
Swan was one of a kind. His clean simple style
made Superman such a great experience. All those great imaginary stories , the Kandor stories, just classic.

Superman even aged while Swan drew him, he looked about 40 at the end of the Schwartz editing era.

Gary Ware
04-07-2003, 01:44 AM
Hey, what's 'aged' about forty? :)

Howard Roark
04-07-2003, 10:49 AM
This book is a must-have for all fans of comic history, regardless of whether you' re familier with his work or didn't read the book she drew.

A+!

HR
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"Individual rights are not subject to a public vote; a majority has no right to vote away the rights of a minority; the political function of rights is precisely to protect minorities from oppression by majorities (and the smallest minority on earth is the individual)." - Ayn Rand

rockieman
04-07-2003, 12:35 PM
</font><blockquote><font size="1" face="Verdana, Helvetica, sans-serif">quote:</font><hr /><font size="2" face="Verdana, Helvetica, sans-serif">Originally posted by Howard Roark:
<strong>This book is a must-have for all fans of comic history, regardless of whether you' re familier with his work or didn't read the book she drew.

A+!

HR
</strong></font><hr /></blockquote><font size="2" face="Verdana, Helvetica, sans-serif">I read this book recently and although I learned quite alot about Swan, the author left alot to be desired about the way the book was put together. I wasn't too thrilled with the presentation of interview after interview (most of which I think could have been edited better). I think the whole book would have worked better if presented in a more prose style.

Just my 2 cents.